
It is perhaps fitting that the now final show of The Hypocrites’ season–cut short due to financial troubles–is Margaret Edson’s Pulitzer-prize-winning play, Wit. In Edson’s heartbreaking play, Dr. Vivian Bearing, a brilliant […]
Brent Eickhoff is a Chicago-based director, writer, and educator. Brent has worked with A Red Orchid Theatre, Mary-Arrchie Theatre Co., The Arc Theatre, The Public House Theatre, Something Marvelous, Whiskey Radio Hour, and The Burrowers. He is the Educational Coordinator for Silk Road Rising, and is a founder and co-artistic director of Blue Goose Theatre Ensemble. While Brent has worked with a variety of Chicago theatre artists, he doesn't let that get in the way of writing unbiased reviews of any production he covers.
It is perhaps fitting that the now final show of The Hypocrites’ season–cut short due to financial troubles–is Margaret Edson’s Pulitzer-prize-winning play, Wit. In Edson’s heartbreaking play, Dr. Vivian Bearing, a brilliant […]
In 2013, during Writers Theatre’s final season in the Women’s Library Club building, PigPen Theatre Co. made their Chicago debut with their much-lauded production of The Old Man and the Old Moon. […]
Lyric Opera of Chicago’s high-concept reimagination of Mozart’s classic opera, The Magic Flute couples the fantasy of its source material with the imaginative resourcefulness of several children in their backyard. From grandiose […]
The 39th annual production of A Christmas Carol at Goodman Theatre is upon us, and this year’s production–steeped in Victorian spookiness–is a true redemptive treat. Despite Goodman’s jovial and colorful marketing of […]
The world premiere of The Fundamentals, Erika Sheffer’s new play now running at Steppenwolf, offers a funny and sharp indictment of America’s corporate culture. In Sheffer’s play–which was commissioned by Steppenwolf and […]
Cinderella at the Theater of Potatoes, the Hypocrites‘ latest production, offers a re-imagined version of Pauline Viardot-Garcia’s chamber operetta Cendrillon, based on the familiar story of Cinderella. Performed through the framing device […]
Based on the life of Charlotte von Mahlsdorf, Doug Wright’s Pulitzer and Tony-winning play I Am My Own Wife is typically performed as a one-person show by a male actor. Director Andrew […]
Melissa Ross’ new play, A Life Extra Ordinary, now receiving its world premiere at The Gift Theatre, presents audiences with a collection of moments from one woman’s life, shared by protagonist, narrator […]
Hand to God, after multiple awards, two off-Broadway productions, and a production on Broadway to rave reviews, has become one of the nation’s most produced plays this theater season. Robert Askin’s wild and […]
Kinky Boots, which began its journey to Broadway in Chicago several years ago and is based on the 2005 film of the same name, has returned for a limited-engagement at the Oriental […]
Disney’s Newsies, currently playing at the Cadillac Palace Theatre, provides a strikingly relevant exploration of current conversations about workers’ rights, despite its period milieu. Set in 1899 and based on the 1992 […]
Eclipse Theatre’s 2016 Stephen Adly Guirgis season was already off to a great start, and with Our Lady of 121st Street–the second entry of their playwright-centric season—Eclipse Theatre firmly cement themselves (and […]