Nancy Bishop is a Chicago native, who writes about things she loves, like theater, film, books, music, art and design. Nancy is a member of the American Theatre Critics Association and a 2014 Fellow of the National Critics Institute at the Eugene O’Neill Theater Center. You can read her personal writing on pop culture at nancybishopsjournal.com, and follow her on Twitter @nsbishop. Nancy is editor and publisher and Stages editor of Third Coast Review.
Indivisible Chicago will stage True Blue Revue, the group’s 2020 campaign kickoff and free live show, Monday, February 3, at the Athenaeum Theatre’s mainstage, 2936 N. Southport Ave. Doors open at 5:30pm […]
The old rock trope says that punk music is “three chords and the truth.” That holds true for the fact-based story about a kid punk band from Evanston in the 1980s, which […]
Alton Sterling. Laquan McDonald. Walter Scott. Michael Brown. Greg Gunn. Philando Castile. Some of those names might come to mind as you watch the tense, even-handed police thriller, Sheepdog, by Kevin Artigue. […]
Two women on a fishing boat in the Alabama Delta. One casts and sometimes reels in…nothing. The other alternately suns, dozes and reads. It’s late afternoon on a hot, humid day. Kendra […]
Rose Valley Theatre Group, Chicago’s newest theater company, makes its debut with the first English language production of Sunday Evening, a play by Zachary Karabashliev, a Bulgarian playwright. You might worry that […]
Here’s this week’s podcast for Playtime with Bill Turck and Kerri Kendall, our radio arts partner. Third Coast Review news and reviews are highlighted and our writers sometimes appear on the Sunday afternoon […]
Winter seems to be the season for stage fests in Chicago (Rhinofest, Musical Theater Festival, Pegasus’ Young Playwrights Festival, Fillet of Solo) and Gift Theatre, one of our fine storefront companies, adds […]
The 23rd Annual Fillet of Solo Festival, running January 10–26, celebrates Chicago’s storytelling and live lit scene at Lifeline Theatre and the Teal Room in Rogers Park. The festival, organized by former Lifeline […]
There is dancing in Dance Nation, now at Steppenwolf Theatre. It’s sometimes clumsy, sometimes graceful, and generally amateurish. Clare Barron’s play is about a crew of 13-year-old girls (and a token boy) […]
Working transforms Studs Terkel’s iconic 1974 book of interviews with American workers of all stripes into a musical revue that pays homage to the value of work and the pride we take […]
Here’s this week’s podcast for Playtime with Bill Turck and Kerri Kendall, our radio arts partner. Third Coast Review news and reviews are highlighted and our writers sometimes appear on the Sunday afternoon […]
The White Plague or a new form of leprosy is what everyone fears in the new play at Trap Door Theatre. However, the disease described in Czech playwright Karel Čapek’s 1937 play […]
