Nancy Bishop is a Chicago native, who writes about things she loves, like theater, film, books, music, art and design. Nancy is a member of the American Theatre Critics Association and a 2014 Fellow of the National Critics Institute at the Eugene O’Neill Theater Center. You can read her personal writing on pop culture at nancybishopsjournal.com, and follow her on Twitter @nsbishop. Nancy is editor and publisher and Stages editor of Third Coast Review.
Edward Albee’s 2002 play, The Goat, or Who Is Sylvia, hasn’t been performed very often in Chicago. I told my plus-one, rather casually, that it’s a play about a man who falls […]
Dostoyeksky’s Crime and Punishment is a thriller, a slow-paced intellectualized thriller. If you haven’t read the novel since college days, Chris Hannan’s 2013 adaptation—on stage at Shattered Globe Theatre—will sneak up […]
Chicago Crime and Sex Trafficking Stories Explode in Monger at Her Story Theater Mary Bonnett’s play Monger: The Awakening of J.B. Benton tells a complicated Chicago crime story with several threads seemingly […]
The Holocaust. Armenia. Cambodia. Darfur. Bosnia. Rwanda. South Sudan. Native Americans. Rohingya. Whether or not you had family or ancestors in those hellish genocides, you may find it hard to watch some […]
I read a lot of short stories, of varied styles and themes. I like the stories of George Saunders, Shirley Jackson, Philip K. Dick and Hilary Mantel, among others. But I have […]
“Freedom of the press is guaranteed only to those who own one.” The famously acerbic journalist, A.J. Liebling, wrote that in the New Yorker in 1960. Although that may well have been […]
The 12-part PBS series, “Poetry in America,” features one significant work of poetry in each segment. “Skyscraper” by Chicago poet Carl Sandburg was the star of episode 5 and is now streaming […]
Every once in a while you get to see a work of theater that seems as if it could reinvent the form. Manual Cinema is a Chicago-based company that has earned international […]
Linda, the Steep Theatre production of Penelope Skinner’s 2015 play, is entertaining and poignant, cataloging the life and career of the successful brand strategist for a beauty company. Robin Witt’s smart direction benefits […]
Playwright William Inge is considered a quintessential midwestern writer. Born in Kansas, he worked in Kansas and Missouri, and died (by suicide) in Hollywood. His 1955 play Bus Stop is one of the […]
Last weekend in Spring Green, I saw the Ionesco play, Exit the King, an absurdist but moving play about death and mortality. My first night at home, I attended another play with […]
Spring Green is an arts center in nearby south central Wisconsin that’s easily accessible to Chicagoans interested in theater and the work of Frank Lloyd Wright. In a long weekend, you can […]
