The latest work from master documentarian Errol Morris (The Thin Blue Line, The Fog of War) is meant to mark the end of an era of sorts. Specifically, it’s the end of […]
In the last couple of years, there have been a fair number of films that have impressively and respectfully dealt with the subjects of grief and loss—more specifically, they deal with the […]
In the last 12 years or so, the married Brussels, Belgian filmmaking and performing couple Dominique Abel and Fiona Gordon have been making some of the strangest and funniest comedies around, with […]
Spider-Man was always my guy. By the time I discovered him in junior high school, the comic book Peter Parker was already in college, but I dug back through his origins and […]
I’ve always had a bit of a soft spot for the mid-1980s to early 1990s films of director James Ivory and producer Ismail Merchant—from The Bostonians in 1984 to The Remains of […]
One never quite knows what to expect from the great Portuguese writer-director João Pedro Rodrigues (The Last Time I Saw Macao, To Die Like A Man), but his latest, The Ornithologist, offers […]
If you love movies and have lived in Chicago for the last few years, you’re likely familiar with the Music Box Theatre’s occasional 70mm Film Festival. If you recall, we previewed it […]
The first thing you notice about the romantic tragicomedy The Big Sick is how conventionally it begins. If you don’t know where it’s going—or figure it out from the title—the first act […]
Some animation features only have to answer one question: Do they make you laugh? Another one might be: Do they entertain you? And for the most part, I seem to recall finding […]
I’m not going to get into another discussion about how frustrating it is when a filmmaker remakes a well-regarded film, and then all people do after they watch it is compare it […]
With Baby Driver, the latest from writer-director Edgar Wright (Shaun of the Dead, Scott Pilgrim vs. the World), being set in Atlanta (a rare instance where an Atlanta-shot movie is actually meant […]
This is a classic example of a host of talented people missing the mark because the resulting film places its emphasis on the least interesting characters. The Exception is the curious World […]
