Review: Looking Back on Life as Bandmates in Stirring, Nostalgic Once Were Brothers
I’ll fully admit, I happen to think The Band is one of the greatest musical acts of all time, with one of the most fascinating backstories ever told. Hell, they […]
Steve Prokopy is chief film critic for the Chicago-based arts outlet Third Coast Review. For nearly 20 years, he was the Chicago editor for Ain’t It Cool News, where he contributed film reviews and filmmaker/actor interviews under the name “Capone.” Currently, he’s a frequent contributor at /Film (SlashFilm.com) and Backstory Magazine. He is also the public relations director for Chicago's independently owned Music Box Theatre, and holds the position of Vice President for the Chicago Film Critics Association. In addition, he is a programmer for the Chicago Critics Film Festival, which has been one of the city's most anticipated festivals since 2013.
Review: Elisabeth Moss Fights to Be Believed in Smart, Surprising The Invisible Man
Ever since I saw this new version of The Invisible Man, I keep erroneously referring to it as The Invisible Woman, but the mistake is understandable. Aside from the film’s […]
Review: Driven by Strong Performances, Ordinary Love Finds the Extraordinary in the Everyday
Long before Liam Neeson became one of the go-to guys for action-oriented films (Star Wars: The Phantom Menace, Batman Begins, and of course the Taken films), he was considered one […]
Review: Latest Adaptation of The Call of the Wild Creates Real Connection with Motion-Capture Dog
At this point, any critic whose main complaint about this latest adaptation of Jack London’s novel The Call of the Wild revolves around the use of a computer-generated dog rather […]
Review: Come As You Are Is a Road Trip of Self Discovery and Ability
Based loosely on a 2011 Belgian work called Hasta La Vista, as well as the life of wheelchair-bound disabilities activist Asta Philpot (who endorses this film), Come As You Are […]
Review: Italian Mafia Drama The Traitor Channels the Chaos, Glam of the ’80s
So much of director Marco Bellocchio’s (Devil in the Flesh, Fists in the Pocket) latest, The Traitor, seems so outrageous and impossible that I had no choice but to believe […]
Review: In Its American Remake, Downhill Loses Some of the Swedish Subtleties
When the critically praised 2014 Swedish film Force Majeure (directed by Ruben Östlund) debuted, it was celebrated as a critical look at the traditional family dynamic, male bravado, and the […]
Interview: The Assistant Filmmaker Kitty Green on Casting Julia Garner and the Many Forms of Workplace Toxicity
One of the most effective and disturbing films to come out of last year’s Telluride Film Festival (and last month’s Sundance Film Festival) was one that very few people had […]
Review: Birds of Prey Wants You To Think It’s Edgier Than It Is
This is a film that wants so desperately for us to believe it’s edgy and twisted that it forgets to actually be edgy and twisted. This is not to say […]
Review: Film Nerds Revel in the Connection, Nostalgia of At the Video Store
This one hit me right in the heart, probably because you have to be in a particular age bracket and love movies of every size and shape to remember the […]
Review: Citizen K Traces One Man’s Rise and Fall in Putin’s Russia
Perhaps one of his more complicated and layered profile documentaries, the latest from filmmaker Alex Gibney (an Oscar winner for Tales to the Dark Side), Citizen K explores the bizarre […]
Review: Political Incorrectness Aside, The Gentlemen is a Return to Form for Ritchie
I fully admit to being a big fan of director Guy Ritchie’s first two gangster comedies—Lock, Stock and Two Smoking Barrels and Snatch—primarily because they introduced the world to the […]