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  • Classical , Reviews

Review: Music of the Baroque’s Easter Oratorio Program Shines with a Few Bumps

The Music of the Baroque concert this week at the Harris Theater, with Johann Sebastian Bach’s Easter Oratorio as its featured piece, was excellent—I’ve never seen the ensemble give a […]

  • Bob Benenson
  • April 13, 2022
    • Classical , Music , Previews , Reviews , Today

    Review/Preview: Guarneri Hall’s Warm Sound Enhances Night 1 of Beethoven Cello Sonatas

    Cellist Oliver Herbert and Pianist Xiaohui Yang offered lively and engrossing performances of two of Ludwig van Beethoven’s sonatas for cello and piano last night at Guarneri Hall. It was […]

  • Louis Harris
  • April 13, 2022
    • Classical , Music , Reviews

    Review: Spektral Quartet’s Enigma at Adler Planetarium Was So-So

    To this music aficionado, few things are more disappointing than going to a performance, expecting to be blown away, wanting to be blown away–but ending up walking away and thinking, […]

  • Louis Harris
  • April 9, 2022
    • Classical , Music , Reviews

    Review: Violin Superstar Hilary Hahn Headlines a Lovely Night of Chamber Music

    Violin superstar and Chicago Symphony Orchestra artist-in-residence Hilary Hahn headlined a thoughtful chamber music performance at Symphony Center on Friday night. Ably accompanied by Seth Parker Woods on cello and […]

  • Louis Harris
  • April 3, 2022
    • Classical , Music , Reviews

    Review: Soprano Soloist Lets Her Coloratura Burst at Music of the Baroque

    Watching the audience’s effusive response to soprano Amanda Forsythe’s blazing coloratura at the end of Music of the Baroque’s Classical Heroines concert Monday at Chicago’s Harris Theater, it is easy […]

  • Bob Benenson
  • March 24, 2022
    • Classical , Music , Reviews

    Review: The Bernard Rands Effect Was Highly Effective

    To celebrate the 88th birthday of distinguished Chicago composer and Pulitzer Prize winner Bernard Rands, the Spektral Quartet performed nine world premieres at Constellation on Pi day, Monday night, 3/14. […]

  • Louis Harris
  • March 16, 2022
    • Classical , Opera , Stages

    Review: Love Hurts So Good in Lyric’s Tosca

    The voices! Soprano Michelle Bradley, making her Lyric Opera of Chicago debut in the title role of Giacomo Puccini’s Tosca, and tenor Russell Thomas as her doomed lover Cavaradossi filled […]

  • Bob Benenson
  • March 14, 2022
    • Classical , Music

    Review: Homecoming for South Side’s Anthony McGill Gives Special Impact to Music of the Baroque’s Mozart Concert

    When a performer’s name is in the title of a symphony’s concert, it is not surprising that their performance ends up as the evening’s most memorable highlight. That was certainly […]

  • Bob Benenson
  • March 2, 2022
    • Classical , Music , Reviews

    Review: Quatuor Diotima Performs Bartok and Beethoven With Passion, Intensity

    The French string quartet Quatuor Diotima offered a vivacious performance on Friday night at Mandel Hall in Hyde Park. An ensemble-in-residence at University of Chicago, this was Diotima’s Chicago premier; […]

  • Louis Harris
  • February 27, 2022
    • Classical , Review , Reviews

    Review: “The Chevalier” Staged Concert Shines a Light on an Unfairly Forgotten Black Genius 

    Joseph Bologne was a singular figure in the annals of music. Born in 1745 to a French plantation owner and a slave mother on the Caribbean island colony of Guadeloupe […]

  • Bob Benenson
  • February 22, 2022
    • Classical , Music

    Review: Chicago Ensemble Resumes In-person Concerts, But in a Bad Way

    Continuing its 45th season, the Chicago Ensemble resumed in-person concerts on Tuesday night. Headed by pianist Gerald Rizzer, for over four decades this group has offered delightful chamber music in […]

  • Louis Harris
  • February 17, 2022
    • Classical , Reviews

    Review: Chicago Sinfonietta’s Dream of an MLK Tribute

    Chicago Sinfonietta’s annual January concert celebrating the life of Martin Luther King Jr. is a tradition that goes back to the early days of the 35-year-old ensemble. But this year’s […]

  • Bob Benenson
  • January 19, 2022
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