Kickstarting a new superhero franchise is an almost impossible task, especially when the hero in question has as long and varied a history as Superman. But that hasn’t kept Warner […]
Eva Victor (they/them) has made a career—and a helluva feature film debut with Sorry, Baby—by never doing what’s expected. After working for the feminist satire website Reductress and MTV’s Decoded […]
The funniest thing about the new action-comedy Heads of State is the casting, and I mean no disrespect to either John Cena (playing action star-turned-U.S. President Will Derringer) or Idris […]
Three years ago two outsiders broke the stranglehold Colombia’s right wing parties had over the country when they were elected president and vice-president: the former M19 guerrilla fighter and senator […]
“It is impossible to believe the emotional and spiritual intensity and pure, classic beauty that can be produced by a man, an animal and a piece of scarlet serge draped […]
One of the biggest early hits of the pandemic was Netflix’s 2020 film The Old Guard, based on the graphic novel by writer Greg Rucka and illustrator Leandro Fernandez. Charlize […]
With seven films across more than three decades, the Jurassic Park/World installments have been all over the place in terms of quality, filmmaking prowess, and storytelling. But the elements that […]
Ruth is a retired cook. As the film opens, she’s in her cozy kitchen preparing lunch for a guest, setting the table, and then getting dressed up. The guest is […]
A few documentaries of late have dealt with the children of famous people, searching for stories about a parent’s life because they have few or no memories of them. The idea […]
Produced by genre titans James Wan and Jason Blum, and helmed by returning writer-director Gerald Johnstone, M3GAN 2.0 does something bold in the horror field: it shifts tones from the […]
Let me begin by saying I’m not going to begrudge anyone fully embracing the Vroom Vroom of F1: The Movie for the simple fact that the car-racing sequences are one […]
I’m perhaps most leery of documentaries in which the filmmaker is also, to a degree, the subject. Such is the case with Rachel Elizabeth Seed’s deeply personal film A Photographic […]