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  • Film , Film & TV , Review

Review: Burial Features a Brutal, Fact-Based but Fictional World War II Mission

In Burial, the second feature from writer/director Ben Parker (2016’s The Chamber), we are dropped into a story that takes place during a period in World War II history that’s […]

  • Steve Prokopy
  • September 2, 2022
    • Film , Film & TV , Review

    Review: In McEnroe, the Tennis Great Reflects on a Career Driven by His Exacting Strategy and Explosive Temper

    Told with more compassion and pathos than perhaps even John McEnroe would grant himself, the documentary McEnroe profiles one of the greatest tennis players the game has ever produced. With […]

  • Steve Prokopy
  • September 2, 2022
    • Film , Film & TV , Review

    Review: Fassbinder Gets a Gender-Swapped, Wickedly Funny Update in Peter von Kant

    In the 1972 Rainer Werner Fassbinder film The Bitter Tears of Petra von Kant, the lead character was a female fashion designer who ungracefully bows out of a relationship with […]

  • Steve Prokopy
  • September 2, 2022
    • Film , Film & TV , Review

    Review: Javier Bardem Is Slick, Measured and Marvelous in Spanish-Language Workplace Comedy The Good Boss

    Spain’s submission for Best International Feature of 2021 (it was even shortlisted) and the winner of six Goya Awards (it was nominated for a record 20), writer/director Fernando León de […]

  • Steve Prokopy
  • September 1, 2022
    • Film , Film & TV , Review

    Review: Breaking Features John Boyega in a Harrowing, Heartbreaking Central Role

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    In 2017, Brian Brown-Easley walked into a Wells Fargo branch in Marietta, Ga., and, after withdrawing the last $25 to his name, told the bank teller he was carrying a […]

  • Lisa Trifone
  • August 26, 2022
    • Film , Film & TV , Review

    Review: Neil LaBute’s Erotic Thriller Out of the Blue Doesn’t Reinvent Film Noir, But Still Entertains

    Whether I want to or not, I’m always curious what playwright and filmmaker Neil LaBute (In the Company of Men, Nurse Betty, The Wicker Man remake) is up to, and […]

  • Steve Prokopy
  • August 26, 2022
    • Film , Film & TV , Review

    Review: Aiming for Comedy in Male Insecurity, Me Time Never Hits the Target

    Over the years, writer/director John Hamberg has explored men from a unique perspective. Often with very funny results, he has posed questions about male friendships and relationships and wondered why […]

  • Steve Prokopy
  • August 26, 2022
    • Film , Film & TV , Review

    Review: With Bad Special Effects and a Pointless Script, Maneater Barely Qualifies as a Movie

    What the hell is this? Let me ask this very serious question: Does all special effects software just come with a bad CG shark as part of its package of […]

  • Steve Prokopy
  • August 25, 2022
    • Film , Film & TV , Review

    Review: Though Slightly Underdeveloped, Samaritan Sees Stallone Get Back Into Action

    Putting a somewhat fresh spin on the superhero movie, director Julius Avery (Overlord) delivers Samaritan, the story of young Sam Cleary (real-life kid boxer Javon “Wanna” Walton) who grows up […]

  • Steve Prokopy
  • August 25, 2022
    • Film , Film & TV , Review

    Review: George Miller Tells—and Shows—Incredible Stories in Three Thousand Years of Longing

    Over the years, I’ve discovered that I have a soft spot for films about the magic powers that spoken-word storytelling can conjure, whether it’s simply a filmed performance of, for […]

  • Steve Prokopy
  • August 25, 2022
    • Film , Film & TV , Review

    Review: Human Connection, Communication and Limits Put to the Test in The Immaculate Room

    Yet another clean, economic example of a pandemic-made film that isn’t about the pandemic and has higher aspirations than its simple story may let on. Actually, the latest from writer/director […]

  • Steve Prokopy
  • August 19, 2022
    • Film , Film & TV , Review

    Review: Prequel Orphan: First Kill Entertains with the Subtlety of a Lifetime Drama

    Let me get this straight: the talented 25-year-old actor Isabelle Fuhrman (The Novice) is once again playing the character of Esther, last seen in 2009’s Orphan, in which [spoiler alert] […]

  • Steve Prokopy
  • August 19, 2022
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