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  • Film , Film & TV , Review

Review: A Stilted Storyline Saved by Strong Performances in Asghar Farhadi’s Everybody Knows

Everybody Knows

What’s most striking about writer/director Asghar Farhadi’s (A Separation, The Salesman) new film, Everybody Knows, even with strong performances and its setting in lush Spanish wine country taken into account, is […]

  • Lisa Trifone
  • February 15, 2019
    • Film , Film & TV , Review

    Review: Stunning Visuals Make for an Impressive, if Predictable Alita: Battle Angel

    Alita

    There’s almost no way to fully take in everything on display in Alita: Battle Angel, the latest from director and co-writer Robert Rodriguez. He also worked on this long-on-the-shelf script […]

  • Steve Prokopy
  • February 14, 2019
    • Film , Film & TV , Review

    Review: Junk Science and a Pinch of Absurdity Make Happy Death Day 2U A Killer Sequel

    Happy Death Day

    It only took the good folks at Blumhouse a year and four months (to the day) to release the sequel to the surprise comedy-horror hit Happy Death Day, which is […]

  • Steve Prokopy
  • February 14, 2019
    • Film , Film & TV , Review

    Review: Little to Fall In Love With in Isn’t It Romantic

    Isn't It Romantic

    Somehow, it seems fitting that in a time when meta is the new normal, a film that attempts to deconstruct and examine the elements of the romantic-comedy genre is this […]

  • Steve Prokopy
  • February 14, 2019
    • Film , Film & TV , Review

    Review: Rendezvous In Chicago Is a Blurry Snapshot of Love in the Windy City

    Rendezvous in Chicago

    Rendezvous in Chicago, the new film by Chicago-based filmmaker Michael Glover Smith, promises to be a set of comedic vignettes about love and life in the Windy City, but it […]

  • Matthew Nerber
  • February 8, 2019
    • Film , Film & TV , Review , Uncategorized

    Review: Mads Mikkelsen Faces a Test of Endurance in Arctic

    Arctic

    When Danish acting powerhouse Mads Mikkelsen showed up for an extended cameo in last year’s Van Gogh biopic At Eternity’s Gate as a priest providing comfort and advice to the […]

  • Steve Prokopy
  • February 8, 2019
    • Film , Film & TV , Review

    Review: A Variety of Styles, Emotions in Animated Short Film Oscar Nominees

    Bao

    As good or bad as you may believe the state of movies and the movie-going experience may be, I thank my lucky stars every year around this time that someone […]

  • Steve Prokopy
  • February 8, 2019
    • Film , Film & TV , Review

    Review: Harrowing, Heartfelt Stories in the Short Docs Up for Oscar

    Black Sheep

    If you’re looking for a pick-me-up at the movies this weekend, checking out the Oscar Nominated Documentary Short Films may not be the way to go. A powerful, haunting slate […]

  • Lisa Trifone
  • February 8, 2019
    • Film , Film & TV , Review

    Review: Diverse Slate of Live-Action Short Films Vie for Oscar

    Fauve

    Sometimes, the makers of live-action short films use the strength of their storytelling skills in abbreviated form to land a job on their first feature length films—as either a director […]

  • Steve Prokopy
  • February 8, 2019
    • Film , Film & TV , Review

    Review: A Cautionary Tale in Soderbergh’s Propulsive, Kinetic High Flying Bird

    One of the week’s most unexpected treats can be found via Netflix—it’s the second film directed by Steven Soderbergh using only an iPhone as his camera (as he did with […]

  • Steve Prokopy
  • February 8, 2019
    • Film , Film & TV , Review

    Review: A Bigger Cast, A Bit Less Heart in The Lego Movie 2: The Second Part

    Lego Movie 2

    One of the most enjoyable aspects of 2014’s The Lego Movie was the big mystery behind what it was that was creating and manipulating the characters and situations. The reveal […]

  • Steve Prokopy
  • February 8, 2019
    • Film , Film & TV , Review

    Review: Taraji P. Henson Deserves Better Than Tone-Deaf What Men Want

    What Men Want

    There’s a fundamental flaw in What Men Want, the gender-reversed remake of the 2000 hit What Women Want. That film starred Mel Gibson as a chauvinistic advertising exec who, after some […]

  • Steve Prokopy
  • February 7, 2019
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