Sometimes, a movie doesn’t have to be great to be watchable; sometimes, just having a highly likable cast of actors that I genuinely adore is enough to get me through […]

Brad Silberling is a man with many job titles. He’s been a television producer and director for quite a number of years, while occasionally dipping his toe into the world […]

Having just appeared in the darkest of dark comedies, Thoroughbreds, as well as such works as The Witch and Split, actor Anya Taylor-Joy is one of the more reliable new faces […]

After a succession of high-energy, dialogue-heavy comedies such as L’Auberge Espagnole, Russian Dolls, Chinese Puzzle, and When the Cat’s Away, writer/director Cédric Klapisch returns with something a bit more easy […]

The latest from writer/director Lynne Ramsay (Ratcatcher, We Need To Talk About Kevin), You Were Never Really Here is about a lot of things for such a seemingly single-minded, unspeakably brutal […]

I walked into the latest from director Andrew Haigh (Weekend, 45 Years) knowing absolutely nothing about it beyond the title, Lean On Pete. As someone who sees anywhere between 450-475 […]

You should fully expect to see “from the producers who brought you Get Out” in front of a lot of not-nearly-as-good horror films over the next year or two, beginning […]

It’s been since 2011’s Transformers: Dark of the Moon that Chicago has taken a epic-sized, big-budgeted walloping the way it does in the video game-inspired Rampage. But something curious happened […]

I’ll fully admit that for decades, I have been a sucker for thrillers steeped in real-world political intrigue, whether the events at the heart of the story being told are […]

John Krasinski (who you most likely know as Jim from The Office) has directed three features films: Brief Interviews with Hideous Men in 2009; The Hollars in 2016; and now […]

It’s become clear over the years that writer-director Aaron Katz has been making films (including Land Ho! and Cold Weather, to name two of his most recent) that he has […]

This fascinating work from Hungarian director Ferenc Török (No Man’s Island, East Side Stories) combines story elements including the immediate aftermath of World War II, the beginnings of Russia’s occupation […]