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  • Film , Film & TV , Review

Film Review: Quiet The Fencer Teaches Compassion At the End of a Sword

Nominated a year ago for Best Foreign Language Film at the Golden Globe Awards and also the official Finnish contender for the 2016 Academy Awards, The Fencer is a surprisingly […]

  • Steve Prokopy
  • January 5, 2018
    • Film , Film & TV , Review

    Film Review: Despite Predictability, Biopic Tom of Finland Draws Compelling Portrait of Gay Icon

    At some point right around the time the artist Tom of Finland (real name Touko Laaksonen) died in the early 1990s, I remember seeing Daddy and the Muscle Academy, a […]

  • Steve Prokopy
  • January 5, 2018
    • Film , Film & TV , Review

    Film Review: Insidious: The Last Key Is Likely the Franchise’s Last—And Should Be

    The Insidious films (this is the fourth one, for those counting) have always been a mixed bag. The first two chapters started strong with a quality director (James Wan), the […]

  • Steve Prokopy
  • January 5, 2018
    • Film , Film & TV , Review

    Film Review: Hostiles Is Filmmaker Scott Cooper’s Best Film Yet

    Over the last decade or so writer-director Scott Cooper has amassed an impressive filmography of stories that are so bleakly human as to almost be horror films (or more precisely, […]

  • Steve Prokopy
  • January 5, 2018
    • Film , Film & TV , Review

    Film Review: Spielberg’s The Post Is an Important Story—And a Great Film

    Taking a similar approach to earth-shattering news events as 2015’s Spotlight, Steven Spielberg’s The Post barrels through a lot of information, a small army of characters, and enough twists and […]

  • Steve Prokopy
  • January 5, 2018
    • Film , Film & TV , Review

    Film Review: Aida’s Secrets Unearths Dramatic, Moving Family History

    With families, there’s always something. But with those sharing a bloodline with 67-year-old Izak Szewelwicz, the journey to discovering all of the members of their extended family is not only […]

  • Steve Prokopy
  • December 29, 2017
    • Film , Film & TV , Review

    Film Review: Timely All The Money in the World Crackles with Great Performances

    In many ways, it’s a shame that a certain percentage of the audience going to see All the Money in the World will do so out of some sort of […]

  • Steve Prokopy
  • December 22, 2017
    • Film , Film & TV , Review

    Film Review: Aaron Sorkin Directs a Sharp, Brisk Molly’s Game

    This sweeping, swirling look at the life of an Olympic skiing hopeful turned facilitator of one of the most exclusive poker games in the world also marks the directing debut […]

  • Steve Prokopy
  • December 22, 2017
    • Film , Film & TV , Review

    Film Review: Even Al Pacino Can’t Save Hangman From Hanging Itself

    Have you ever watched a movie in which there’s a funeral scene near the end, and the only people in the front row of mourners are the cast members of […]

  • Steve Prokopy
  • December 21, 2017
    • Film , Film & TV , Review

    Film Review: Downsizing is About As Focused as a Cat with a Laser Pointer

    There are few filmmakers working today who have a more consistent track record at making interesting, thought-provoking treatises on the human condition than Alexander Payne (Election, Sideways, The Descendants, Nebraska). […]

  • Steve Prokopy
  • December 21, 2017
    • Film , Film & TV , Review

    Film Review: I, Tonya Proves a Fascinating, Sympathetic Portrait Driven by Year’s Best Performances

    This exquisite biopic from director Craig Gillespie (Lars and the Real Girl, The Finest Hours) asks you to consider—or perhaps “reconsider” is the better word—everything you think you know about […]

  • Steve Prokopy
  • December 21, 2017
    • Film , Film & TV , Review

    Film Review: Jumanji: Welcome To the Jungle Coasts on Youthful Spirit and Humor

    It’s been more than 20 years since a group of kids unleashed the characters and creatures from an adventure board game called Jumanji onto an unsuspecting world. With this loosely […]

  • Steve Prokopy
  • December 20, 2017
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