Review: Animated Fable Orion and the Dark Gets the Charlie Kaufman Treatment
Whenever a writer you admire decides to tackle a story (in this case, an animated film) aimed at younger people, the fear is always that they will dumb things down […]
Whenever a writer you admire decides to tackle a story (in this case, an animated film) aimed at younger people, the fear is always that they will dumb things down […]
Director Matthew Vaughn is capable of some pretty incredible work (Kick-Ass, the first Kingsman movie, X-Men: First Class) and he’s amassed a fun collection of regular actors who support his […]
It could be argued that the best period pieces are the ones that feel relevant at any point in time. It’s one thing to make art that replicates the past. […]
Our reviews of Sundance Film Festival official selections continue; follow all of our coverage of the 2024 Sundance Film Festival. The American Society of Magical Negroes Full of compelling ideas […]
Our latest Sundance Film Festival reviews continue; read all our coverage of the 2024 Sundance film Festival now. Ghostlight Once of the most heartfelt (yet not overly sentimental) films at […]
The city of Santurce used to be, when I was growing up in the 1970s and early ’80s, the moviegoing mecca for those who called the San Juan Metropolitan Area […]
Is this season of Fargo running in place a little? The show has a history of doing this sometimes—not every season of television can be this show’s second and third, […]
Just as I thought the first season of The Curse was meandering a little, it sucks me right back in. Things have been looser after the pilot episode, as the […]
The 2024 Sundance Film Festival opened in Park City, Utah, on January 18 with hundreds of films set to premiere over the next ten days. Several Third Coast Review critics […]
If you ignore the murder, tormented police, and general unpleasantness, True Detective is a show about the mystery of its protagonists. Whether they are good or bad, nihilistic or hedonistic, […]
While American cinema has now begun to slowly (although not necessarily surely) reckon with the legacy of colonialism and white supremacy, Latin American cinema has long decried its brutal legacy. […]
From the director of the Oscar-nominated Joyeux Noel, Christian Carion’s latest work is a far more intimate but equally moving affair. The film kicks off by placing Madeleine (Line Renaud), […]