Review: In Emily, an Author’s Life, Loves and Heartbreak Inspire a Classic Novel
Not being at all fluent in the writing or life stories of the Brontë sisters (Anne, Charlotte, or Wuthering Heights author Emily), I have no idea how much of the […]
Review: Cocaine Bear Isn’t Elevated Art, but It is One Hell of a Good Time
I would never be so bold as to try to paint the new horror-comedy (I’m not sure how else to classify it) Cocaine Bear as any kind of masterpiece, but […]
Review: Oscar Nominated Animated Shorts Make the Most of a Creative Medium, from the Humorous to the Heartfelt
Making any film is no small task; it can take years from start to finish. Making an animated film only complicates matters, and it’s a small miracle anytime the likes […]
Review: Oscar Nominated Live Action Short Films Offer Variety of Styles, Origins and Emotions
This year’s five films nominated for the Best Live Action Short Film Oscar hail from various regions in Europe (Ireland, Denmark, Italy, Norway and Luxembourg), and their style and subject […]
Review: Let It Be Morning Creates a Poignant, Quietly Devastating Story of Home, Family and the Walls that Keep Us Apart
Based on Palestinian-born author Sayed Kashua’s book of the same name, Let It Be Morning tells the story of Sami (Alex Bakri), a Palestinian-born Israeli citizen living in Jerusalem who […]
Review: Somebody I Used to Know Channels Classic Rom-Coms for an Art House Crowd
Co-written by spouses and frequent collaborators Dave Franco and Alison Brie (and directed by Franco), Somebody I Used to Know is essentially an art-house adaptation of My Best Friend’s Wedding, […]
Review: Lacking Momentum and Charisma, Rom-Com Your Place or Mine Squanders the Best of the Genre
As has been proven time and time again, making a contemporary rom-com that both entertains and endears itself onto its audiences is tricky business. All too often, recent entries into […]
Review: Sharper Uses a Flexible Storytelling Structure and Strong Cast to Create a Gripping Neo-Noir
In a slight twist in the recent trend in movies to stick it to the rich, first-time director Benjamin Caron’s Sharper has nearly every character trying to stick it to […]
Review: The Least Impressive of the Franchise, Magic Mike’s Last Dance Glimpses Moments of Strip-Tease Greatness
Whereas the original Magic Mike wasn’t afraid to explore the seedier side of male stripping and Magic Mike XXL leaned more into the joy of dancing and how power could […]
Review: With Few Visuals and Limited Narrative, The Outwaters Is a Frustrating, if Brutal, Low-Budget Thriller
Perhaps it’s not so surprising that the new horror offering The Outwaters is being released in the immediate aftermath of the much-talked-about Skinamarink, since both films have an experimental visual […]
Sundance Review: Female Friendship and Film Noir Combine in a Savage, Atmospheric Eileen
One of the higher-profile works at Sundance this year (at least in terms of star power) was director William Oldroyd’s (Lady Macbeth) noir-ish tale of a female friendship gone horribly […]
Sundance Review: Fair Play Explores Volatile Gender Dynamics at Work and at Home
Rarely does a first-time director launch out of the gate with as much force and conviction as writer-director Chloe Domont does with Fair Play, a work that examines the power […]