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  • Film , Film & TV , Film fest , Review

Dispatch: Talked-About Films and Park District Offerings Highlight Film Festival Screenings

The 58th Chicago International f=Film Festival continues through Sunday, October 23, and we have capsule reviews of half a dozen films you’ll want to consider for the next few days. […]

  • Third Coast Review Staff
  • October 19, 2022
    • Film , Film & TV , Review

    Review: Halloween Ends Sends a Classic Horror Franchise Out with a Whimper

    Sometimes a film franchise goes out with a bang; other times, a whimper seems more appropriate. In the case of what is reported to be the final entry in the […]

  • Steve Prokopy
  • October 14, 2022
    • Film , Film & TV , Review

    Review: Horror Maestro Dario Argento is Disappointingly Off-Base with Messy Dark Glasses

    There was a time—entire decades, if we’re being honest—that the name Dario Argento meant horror films that would be suspenseful, terrifying, bloody and inventive. Works like Suspiria, Opera, Deep Red, […]

  • Steve Prokopy
  • October 13, 2022
    • Film , Film & TV , Review

    Review: Tension and Unease Abound in TÁR, as Power and Gender Dynamics Clash with Classical Music

    When fictional classical conductor Lydia Tár (an electric Cate Blanchett) spouts the statement “Don’t be so eager to be offended” to a mixed-race student, I began to worry that this […]

  • Steve Prokopy
  • October 13, 2022
    • Film , Film & TV , Review

    Review: Smile Is a Debut Horror Film with Familiar Elements and Compelling Potential

    Most recent horror movies that are actually veiled metaphors for the lasting impact trauma can have on a person’s psyche don’t actually use the word “trauma” as much as Smile, […]

  • Steve Prokopy
  • September 30, 2022
    • Film , Film & TV , Review

    Review: My Best Friend’s Exorcism Is an ’80s-Set Teen Comedy With a Dark Twist

    Directed by Damon Thomas and taking full audio/visual advantage of its 1988 period setting, My Best Friend’s Exorcism brings us into the world of high school sophomores and best friends […]

  • Steve Prokopy
  • September 30, 2022
    • Film , Film & TV , Review

    Review: Zac Efron’s Goofy Energy Is a Bright Spot in an Otherwise Misguided The Greatest Beer Run Ever

    Based on truly inspiring real events (which is not to say the film is inspiring; stay tuned…), The Greatest Beer Run Ever tells the story of dopey-but-loyal New Yorker Chickie […]

  • Steve Prokopy
  • September 30, 2022
    • Film , Film & TV , Review

    Review: A Strong Ensemble Cast Help Elevate Dead for a Dollar an Otherwise Washed-Out Western

    Casting no aspersions on the great filmmaker Walter Hill, his new western, Dead for a Dollar, isn’t particularly memorable or special. In fact, the whole piece looks like it was […]

  • Steve Prokopy
  • September 30, 2022
    • Film , Film & TV , Review

    Review: Bros Channels the Best of Rom-Coms Through a Queer Lens, With Plenty of Laughs

    Smart, insightful, an avenue for LGBTQ characters to tell their stories, and screamingly funny, Bros marks the first time a major motion picture studio (Universal) has released an R-rated gay-centric […]

  • Steve Prokopy
  • September 30, 2022
    • Film , Film & TV , Review

    Review: Made of Archival Footage, Riotsville, U.S.A. Harkens to Contemporary Times

    This review was originally published in January 2022 for our Sundance Film Festival coverage. Built entirely from archival footage taken from both commercial broadcast television and material shot by the […]

  • Steve Prokopy
  • September 23, 2022
    • Film , Film & TV , Review

    Review: Don’t Worry Darling Has Plenty of Style, But Hardly Any Substance to Back It Up

    If you have heard anything lately about Olivia Wilde’s sophomore feature film (after 2019’s coming-of-age comedy Booksmart), chances are it’s the on- and off-set drama surrounding the filmmaker and her […]

  • Lisa Trifone
  • September 23, 2022
    • Film , Film & TV , Review

    Review: In Blonde, a Narrow Script and Chaotic Filmmaking Reduce an American Icon to an Empty Vessel

    Blonde, the new film by Andrew Dominik (Killing Them Softly, The Assassination of Jesse James by the Coward Robert Ford), is a torturous 2 hours and 46 minutes long, most […]

  • Lisa Trifone
  • September 23, 2022
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