Review: Music and Movie Elevate the Love Story of Bram Stoker’s Dracula
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Review: Very Bloody and Tonally Messy, Stockholm Bloodbath Channels History for a Murderous Epic
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Review: Elevation Cribs a Bit Too Much from Other (Better) Thrillers To be Worth the High
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Review: Holiday Film The Best Christmas Pageant Ever Balances Silly Seasonal Sentiment with Thoughtful Community Connections
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Review: Steve McQueen’s World War II Epic Blitz Offers a Moving, if Overly Generic, Fable of Wartime Resiliency
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Interview: Memoir of a Snail Stop-Motion Animation Filmmaker Adam Elliot on His “Chonky Wonky” Style, Animation for Adults and Working with Philip Seymour Hoffman
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Review: Desmin Borges Plays a Sad Sack on the Path to Self Improvement in Character-Driven Indie Hangdog
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Review: Liam Neeson Digs Deep as a Flawed, Aging Criminal Confronting Memory Loss in Absolution
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Review: Prolific and Acclaimed Film Score Composer Gets His Due in Disney+ Doc Music By John Williams
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Review: Clint Eastwood Directs Juror #2, a Courtroom-Set Litmus Test for Good and Bad
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Review: Robert Zemeckis Re-Teams with Tom Hanks, Robin Wright and More for Here, a Generation-Spanning Let Down
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Review: Florence Pugh and Andrew Garfield Shine in Emotional, Relatable—If Overstuffed—We Live in Time
Sometimes life is funny. One day you’re sitting in your kitchen in Indianapolis, a few years out of college and wondering how you’re ever going to build a career in […]