Perhaps best known as the longest-running play ever (notching north of 28,000 performances and counting), Agatha Christie’s The Mousetrap has been continuously on stage in London’s West End since 1952. Now, the […]
Just a few blocks north of the heart of Times Square and next door to the massive Gershwin Theatre (capacity: 1,900) is a more intimate space, an 800-seat theater built for unique […]
Note: Top Girls was reviewed by Karin McKie and Kim Campbell on Women’s March weekend. Caryl Churchill wrote Top Girls in 1982, in the middle of Margaret Thatcher’s 1979-90 fraught, pseudo-feminist tenure […]
Alton Sterling. Laquan McDonald. Walter Scott. Michael Brown. Greg Gunn. Philando Castile. Some of those names might come to mind as you watch the tense, even-handed police thriller, Sheepdog, by Kevin Artigue. […]
Two women on a fishing boat in the Alabama Delta. One casts and sometimes reels in…nothing. The other alternately suns, dozes and reads. It’s late afternoon on a hot, humid day. Kendra […]
Rose Valley Theatre Group, Chicago’s newest theater company, makes its debut with the first English language production of Sunday Evening, a play by Zachary Karabashliev, a Bulgarian playwright. You might worry that […]
When you think of a night out at the theater, you probably aren’t thinking much about your cats at home. When Jackson Galaxy thought about selling out theaters as a child and […]
Winter seems to be the season for stage fests in Chicago (Rhinofest, Musical Theater Festival, Pegasus’ Young Playwrights Festival, Fillet of Solo) and Gift Theatre, one of our fine storefront companies, adds […]
The 23rd Annual Fillet of Solo Festival, running January 10–26, celebrates Chicago’s storytelling and live lit scene at Lifeline Theatre and the Teal Room in Rogers Park. The festival, organized by former Lifeline […]
This isn’t a “best theater of the year” list. As we’ve noted about past lists, we don’t see everything. Most of our writers are freelancers, all with other gigs, and it’s hard […]
There is dancing in Dance Nation, now at Steppenwolf Theatre. It’s sometimes clumsy, sometimes graceful, and generally amateurish. Clare Barron’s play is about a crew of 13-year-old girls (and a token boy) […]
Working transforms Studs Terkel’s iconic 1974 book of interviews with American workers of all stripes into a musical revue that pays homage to the value of work and the pride we take […]
