Arthur Miller’s A View from the Bridge is performed on the most minimal of stages with few costume changes (and no shoes), thus proving that it’s really the script and the acting […]
Shattered Globe Theatre presents the first in its all-Chicago premiere season, Pulitzer-nominee James Still’s The Heavens are Hung in Black, at Theater Wit through October 21, and directed by Louis Contey, his […]
Nineteen Eighty-Four, George Orwell’s dystopian novel, was considered science fiction when it was published in 1949. Almost 70 years later, in an era of alternative facts and so-called fake news, 1984 is […]
Were you left a little wanting when Wizard World wrapped up at the end of August? A little bit sad that C2E2 won’t pop up till spring, and can’t wait for Chicago Tardis […]
Deirdre of the Sorrows by John Millington Synge is based on the Irish legend of Deirdre, set in ancient times in the Irish kingdom of Ulster. City Lit Theater is staging this […]
September is a hectic month for theater in Chicago. Although summer is no longer the slow season it used to be, September sees a lot of season openers and just plain opening […]
Robert O’Hara’s Barbecue is not a treatise on meat-grilling. It’s a satire that roasts our attitudes about race, class and money. It’s a funny, biting family story with a twisty, turny plot […]
Presented at the Athenaeum Theatre by Black Button Eyes Productions, Shockheaded Peter presents a series of gruesome vignettes adapted from a German book entitled The Struwwelpeter, written in 1845 by Heinrich Hoffman. […]
The Elaborate Entrance of Chad Deity is about pro wrestling in all its pounding, banging, slamming, kicking performance art glory. It’s loud and obnoxious. And much of the play that just opened […]
If the crux of your musical’s story centers around its 13-year-old protagonist’s attempted suicide, it may be best to forgo an Act II opener that dresses its young cast in funereal garb, […]
It is no small undertaking to decide to adapt Charles Baudelaire’s seminal 19th century volume of poetry, Les fleurs du mal. Some may find its sheer length and poetic complexity daunting, but for […]
The play opens with a symphony of switchboard operators, those 1920s-era office workers who kept people talking by plugging phones into jacks, greeting and connecting the world outside with the world within. […]