On the surface and in all its promotional materials, Steppenwolf Theatre’s startling new production of Taylor Mac’s Hir (pronounced “here”) is about transgender people, and the state of being nonbinary. But there […]
Lela & Co. sounds like a chic boutique, a business story. And it is. It’s a horrifying story of a woman alone in a conflict zone. The business theme is part of […]
Six friends sit around a table, in a weekend home outside Chicago. The table is covered with the detritus of dinner. Wine glasses are filled and emptied. Several conversations are going on […]
To get to the bottom of the boisterous mélange that is the multi-Tony-nominated Something Rotten!, audiences need an appreciation–and perhaps a thick lexicon–of all things musical (and probably also Elizabethan), as most […]
Two 3CR writers—Nancy and [Karin]—went to see Erik Jensen’s one-man performance of the life and times of rock critic Lester Bangs. Nancy wrote the review and Karin added comments. This is what […]
Ah, Wilderness!, Eugene O’Neill’s only comedy, is a charming, light-hearted play with an element foreign to most O’Neill scripts: a happy ending. The hero, teenaged Richard Miller (truthfully played by Niall Cunningham) […]
Hitler on the Roof, I was happy to learn, is not a parody of Fiddler with Hitler playing Tevye. No, it’s a tragicomedy subtitled “A Play for Two Clowns.” The setting is […]
Have you heard about Pass Over? It’s a play written by Antoinette Nwandu reworking Samuel Beckett’s Waiting for Godot that opened at Steppenwolf Theatre last week. Pass Over uses the structure of absurdist theater to explore racial oppression […]
Based on E.L. Doctorow’s 1975 novel, Ragtime, now playing in a production by Griffin Theatre Company at the Den Theatre, weaves together three families’ stories at the beginning of the 20th century. […]
Set in 1913 Atlanta and written in 1998 (the same year it won two Tony Awards for Best Book and Best Original Score), Parade recounts the events surrounding the lynching of Leo […]
King Liz, the new production at Windy City Playhouse, will make you laugh, make you sigh and make you think, on several levels. Directed by Chuck Smith, the play is the story […]
Subtext Theater Company’s new production, A Prayer for the Sandinistas, is a world premiere by Leigh Johnson, one of the two-year-old company’s founders. It’s a slow-moving period piece, the story of a […]