
Rivendell Theater Ensemble is staging the midwest premiere of William Francis Hoffman’s Cal in Camo, a stark, sharp story of a woman struggling to bond with her newborn, the long-lost brother she […]
Rivendell Theater Ensemble is staging the midwest premiere of William Francis Hoffman’s Cal in Camo, a stark, sharp story of a woman struggling to bond with her newborn, the long-lost brother she […]
A soldier’s journal is the thread that weaves together the characters and the story in Yank! A WWII Love Story over 75 years. Today, a young man (Matthew Huston) finds an old […]
TimeLine Theatre’s Chicago premiere of Anna Ziegler’s Boy (where the play was also workshopped in 2014) is inspired by the true story of a Canadian male child born physically male but reassigned […]
Rose Kennedy, the “queen mother” of Camelot, is nearing her 79th birthday. She’s well dressed, well coifed, calm and self-assured. She moves like a 79-year-old woman, slowly, a bit creakily. But her […]
The headlines are about major cities declining—in population, in industry, in jobs. But smaller cities are changing too as revolutions in manufacturing, agriculture and mining affect small cities and towns, in the […]
Like Hamlet’s murdered dad, the award-winning Canadian TV series Slings & Arrows has been resurrected, now for free on the Internets so all can experience or revisit the fraught fictional New Burbage […]
Insurrection: Holding History by Robert O’Hara is a satirical, time-traveling look at our history of slavery and repression, race and identity. O’Hara turns time on its head to take us back to […]
Flamingo & Decatur, the world-premiere play by Todd Taylor now on through February 18 at Theater Wit in the Belmont Theater District, is a bit of a cross-country sort of affair. Not […]
Black Button Eyes’ darkly gothic production of Nevermore: The Imaginary Life and Mysterious Death of Edgar Allan Poe makes good use of the Edge Theatre’s spacious proscenium stage. The six performers (plus a […]
It’s My Penis and I’ll Cry If I Want To is a 45-minute one-man show exploring the nuances of gender, often humorously, always movingly and inextricably linked to the many characters portrayed […]
BLKS, poet Aziza Barnes’ foray into playwriting, is a funny, insightful and honest look into the lives of four, 20-something black women living in New York City. Forged with humor and millenial […]
A play at Trap Door Theatre always starts before it really starts. The open stage in the tiny theater is set and populated with characters from the play, in some indolent or […]