Indivisible Chicago will stage True Blue Revue, the group’s 2020 campaign kickoff and free live show, Monday, February 3, at the Athenaeum Theatre’s mainstage, 2936 N. Southport Ave. Doors open at 5:30pm […]
What is true? What is false? And who gets to decide? In Lisa Loomer’s powerful production of Roe, directed by Vanessa Stalling, at the Goodman Theatre, people change their minds and switch […]
Politics. Just when I thought I was out, they pull me back in. This article is a review of The Adult in the Room, a one-woman show about U.S. House Speaker Nancy Pelosi […]
The old rock trope says that punk music is “three chords and the truth.” That holds true for the fact-based story about a kid punk band from Evanston in the 1980s, which […]
Perhaps best known as the longest-running play ever (notching north of 28,000 performances and counting), Agatha Christie’s The Mousetrap has been continuously on stage in London’s West End since 1952. Now, the […]
Just a few blocks north of the heart of Times Square and next door to the massive Gershwin Theatre (capacity: 1,900) is a more intimate space, an 800-seat theater built for unique […]
Note: Top Girls was reviewed by Karin McKie and Kim Campbell on Women’s March weekend. Caryl Churchill wrote Top Girls in 1982, in the middle of Margaret Thatcher’s 1979-90 fraught, pseudo-feminist tenure […]
Alton Sterling. Laquan McDonald. Walter Scott. Michael Brown. Greg Gunn. Philando Castile. Some of those names might come to mind as you watch the tense, even-handed police thriller, Sheepdog, by Kevin Artigue. […]
Two women on a fishing boat in the Alabama Delta. One casts and sometimes reels in…nothing. The other alternately suns, dozes and reads. It’s late afternoon on a hot, humid day. Kendra […]
Rose Valley Theatre Group, Chicago’s newest theater company, makes its debut with the first English language production of Sunday Evening, a play by Zachary Karabashliev, a Bulgarian playwright. You might worry that […]
This isn’t a “best theater of the year” list. As we’ve noted about past lists, we don’t see everything. Most of our writers are freelancers, all with other gigs, and it’s hard […]
There is dancing in Dance Nation, now at Steppenwolf Theatre. It’s sometimes clumsy, sometimes graceful, and generally amateurish. Clare Barron’s play is about a crew of 13-year-old girls (and a token boy) […]
