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Review: Teatro Vista’s Both Grapples With Twin Realities, Twin Fantasies

by Susan Lieberman
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Film & TV

Review: In Michael Jackson Biopic, Michael Gets a Highlight Reel, Audiences Get the Greatest Hits, But No One Gets the Full Truth

by Steve Prokopy
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Music

Review: The Elgin Master Chorale and Director/Conductor Andrew Lewis Produce a Masterful Performance of Stacy Garrop’s Terra Nostra in Elgin

by Louis Harris
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Film & TV

Review: All is Not What it Seems in Normal, the Latest Action Flick from Writer of John Wick

by Guest Author
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Film & TV

Interview: Normal Action Star Bob Odenkirk and Screenwriter Derek Kolstad on Being Underestimated, Staging Great Kills and Chicago Ties

by Steve Prokopy
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  • Film , Film & TV , Review

Review: Love, Charlie Chronicles the Life, Work and Obsessions of Chicago’s Charlie Trotter

The opening scene of this Charlie Trotter documentary is a bit of a giveaway about the man whose food we loved (if we could afford it). During the sound check […]

  • Nancy S Bishop
  • November 20, 2022
    • Opera , Stages

    Review: King Roger Makes a Spellbinding Premiere at Harris Theater

    I was put under a spell on Friday. King Roger by the Chicago Opera Theater (COT) was the spellbinding work that eased my anxiety from sitting in a traffic snarl […]

  • Kathy D. Hey
  • November 20, 2022
    • Music , Reviews

    Review: Protomartyr with Kelley Deal Delivers a Raucous Set for an Enraptured Thalia Hall

    Protomartyr have been kicking around the indie-rock and punk scenes for over a decade now and their story is defined by more of a slog than a meteoric rise-and-fall. They’re […]

  • Patrick Daul
  • November 18, 2022
    • Film , Film & TV , Review

    Review: She Said Recounts How Two Journalists Reported on the Truth—and Changed an Industry

    In case there’s any question as to where I stand on this, let me start by saying plainly: Harvey Weinstein is a serial rapist and abuser and he should rot […]

  • Lisa Trifone
  • November 18, 2022
    • Film , Film & TV , Review

    Review: Like the Restaurant Culture it Aims to Skewer, The Menu Is More Style than Substance

    I haven’t been lucky enough to manage a seat at Alinea, Chicago’s only three-star Michelin restaurant, but friends who’ve been still talk about the experience years later. They remember the […]

  • Lisa Trifone
  • November 18, 2022
    • Film , Film & TV , Review

    Review: Conversations Become Compelling in iPhone-made There There

    Writer/director Andrew Bujalski seems to go out of his way not to repeat himself, both in terms of subject matter and the way in which he shoots his unique movies […]

  • Steve Prokopy
  • November 18, 2022
    • Film , Film & TV , Review

    Review: An Oversimplified View of an Iconic Carmaker’s Life and Work in Lamborghini: The Man Behind the Legend

    For those who didn’t get their fill of Americans doing Italian accents watching House of Gucci, allow me to present Lamborghini: The Man Behind the Legend, a relatively short film […]

  • Steve Prokopy
  • November 18, 2022
    • Opera , Stages

    Review: Le Comte Ory Is a Beautifully Staged and Magnificently Sung Romp by Lyric Opera

    Rossini’s Le Comte Ory is my second French-language opera within a week. Verdi’s Don Carlos is also at the Lyric. Le Comte Ory is considerably more lighthearted and is in […]

  • Kathy D. Hey
  • November 17, 2022
    • Film , Film & TV , Review

    Review: Russell Crowe Directs His Way Into a Bit of a Bad Hand in Poker Face

    As much as I’m a fan of films that mix tones and genres to create something new, I confess that the biggest issue I have with the Russell Crowe-directed Australian […]

  • Steve Prokopy
  • November 17, 2022
    • Film , Film & TV , Review

    Review: The Wonder Puts a Town’s Faith, and One Nurse’s Resolve, to the Test

    The official place and time stamp on director Sebastián Lelio’s (Gloria, A Fantastic Woman, Disobedience) latest, The Wonder, is the Irish Midlands circa 1862 (13 years after the Great Famine, […]

  • Steve Prokopy
  • November 17, 2022
    • Dance , Stages

    Review: Chicago Danztheatre Ensemble Gives Freud a Smackdown in This is Not a Pipe

    The Surrealism movement started in the 1920s, perhaps in response to WWI but definitely in reaction to art and literature being restrained and stifled into categories. Artists of the time […]

  • Kathy D. Hey
  • November 17, 2022
    • Music , Previews , Venues

    The Salt Shed Announces Their First Wave of 2023 Shows

    It’s no secret, we’re big fans of the Salt Shed. This past summer they hosted their first round of outdoor shows in their Fairgrounds Space and every single one of […]

  • Julian Ramirez
  • November 17, 2022
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