To celebrate the return of Concrete Traffic, a 1970 sculpture conceived by Wolf Vostell (1932-1998) specifically for Chicago, the Smart Museum of Art at the University of Chicago has organized […]

Schubas Tavern was transformed into a meditation salon Thursday night at the Cigarettes After Sex concert. The band, led by vocalist Greg Gonzalez, emitted a sound that washed over the crowd […]

Although it doesn’t end the debate about whether street art/graffiti art/anonymous art is a fancy term for vandalism, the documentary Saving Banksy lays out the captivating story of a handful […]

The richly textured and truly terrifying The Autopsy of Jane Doe has been impressing festival audiences for months now and has slowly been creeping its way across the country since […]

Nominated for this year’s Best Foreign Language Film Academy Award, The Salesman reveals to us something that is rarely portrayed in movies from Iran: a detailed look at the country’s […]

Returning to his more plot-heavy yet still quite emotionally gripping style of filmmaking, writer-director Pedro Almodóvar (Talk to Her, Volver, All About My Mother)  brings up Julieta, the complex, time-jumping […]

One of the many Oscar-nominated films in theaters right now is the documentary I Am Not Your Negro, a kind of personal history of the American black experience, as told […]

I’ve said this countless times before, but having now seen Rings, the ill-advised second sequel to the impressive Gore Verbinski-directed remake The Ring, I clearly need to say it once […]

I think the biggest shock about this teen-oriented science fiction adventure is that it’s not based on a YA novel. From an original screenplay by Allan Loeb and directed by […]

Films about the world and occupants of stand-up comedy are a tricky proposition, and they need to succeed on two levels that would seem to be at cross purposes. On […]

  On TV, George Takei played the iconic role of Lieutenant Sulu in Star Trek. He was a helmsmen, an officer, and at times even commanded the ship during the […]

Oh, if only one could jump into the Wayback Machine into the simpler times of Nick Hornby’s 1995 novel and Stephen Frears’ 2000 movie to escape 2017’s dystopia. You can, just […]