Review: An Epic yet Shallow Production, House of Gucci Handily Captures the Era—and the Family Dysfunction
It’s either a crime drama, a comedic commentary about the filthy rich, or an anarchic takedown of the ruling classes…
Review: Martin Scorsese Mines Familiar Mafia Ground for a New Gem in The Irishman
Part reunion, part continuation, and part something new and unexpected from arguably the greatest American filmmaker working today, Martin Scorsese’s…
Review: Quentin Tarantino’s Once Upon a Time…in Hollywood Revisits, Celebrates a Bygone Cinematic Era
Like many works by Quentin Tarantino, Once Upon a Time…in Hollywood is an exercise in creation and re-creation, often simultaneously,…
Film Review: Even Al Pacino Can’t Save Hangman From Hanging Itself
Have you ever watched a movie in which there’s a funeral scene near the end, and the only people in…
