Review: In a Busy Year for Benedict Cumberbatch, He’s the Best Part of an Entertaining The Electric Life of Louis Wain
As we have learned from art and film history, most profoundly inspired and influential artists are also insane or at…
Review: A Sense of Place and History in Deeply Affecting Luxor
The story is fairly straightforward and deceptively simple, but the emotions are complex, separating writer/director Zeina Durra’s Luxor from other…
Interview: Andrea Riseborough on Connection Through Brutal Annihilation, Working with Auteur Directors and Possessor‘s Psychological Anxieties
In recent years, British actress Andrea Riseborough has been absolutely dominating the world of genre filmmaking, while also making a…
Review: A Sharp Sci-Fi Premise Meets Brutal, Gruesome Thrills in Possessor
The premise of Brandon Cronenberg’s Possessor is the sort of sci-fi make believe that’s so outlandish, a bit of comfort can…
Review: Little Sympathy for Racists in Burden, A Mediocre Story of Forgiveness
In the last few years, I feel like I’ve seen a handful of films that attempt to illustrate or at…
Review: Mandy, Soaked in Blood, a Contorted, Awful Version of the World
Chaos bathed in menacing, colorful light, featuring a lead performer who spends much of the film’s two-hour running time soaked…
