Review: The Human Race Fails to Impress AI, or Audiences, in Superintelligence
For those keeping score, the new Melissa McCarthy vehicle Superintelligence is the fourth horrible film directed by her husband, Ben…
Review: Martin Scorsese Mines Familiar Mafia Ground for a New Gem in The Irishman
Part reunion, part continuation, and part something new and unexpected from arguably the greatest American filmmaker working today, Martin Scorsese’s…
Review: More Is Just More in Overlong, Predictable Motherless Brooklyn
I like film noir and I tend to like the chances that Edward Norton takes in many of the roles…
Review: Tiny Superheroes Pack Big Fun in Ant-Man and the Wasp
After the tectonic cultural shift that was Black Panther and the world-breaking climax of Avengers: Infinity War, Marvel’s final film…
Interview: Boundaries Director, Co-Star Talk Movies Based on Real Life, and So Many Dogs
Opening this weekend is Boundaries, the latest from writer/director Shana Feste, a filmmaker who has specialized lately in more romantically…
Film Review: I, Tonya Proves a Fascinating, Sympathetic Portrait Driven by Year’s Best Performances
This exquisite biopic from director Craig Gillespie (Lars and the Real Girl, The Finest Hours) asks you to consider—or perhaps…
Film Review: Jumanji: Welcome To the Jungle Coasts on Youthful Spirit and Humor
It’s been more than 20 years since a group of kids unleashed the characters and creatures from an adventure board…
