Sundance Review: The Pod Generation Features an Interesting Concept That’s Not Fully Gestated
A big swing and a miss comes courtesy of writer/director Sophie Barthes (Cold Souls, 2015’s Madame Bovary) in The Pod…
Review: Doctor Strange in the Multiverse of Madness Is a Chaotic Mix of Tones and Styles
In many ways, director Sam Raimi (the Evil Dead trilogy, the original Spider-Man trilogy) was the absolute perfect choice to…
Review: Action-Packed and Yet Far Too Dense, Infinite Is Decidedly Average on Small Screens
In a setup similar to Netflix’s 2020 fantasy-action romp The Old Guard, the new film from director Antoine Fuqua (Training…
Review: Set in March 2020, Locked Down Is Life in a Pandemic with a Witty Script
I’m sure we’ll get a slow but steady stream of films shot during the pandemic that actually embrace the visuals…
Review: The Old Guard Is a Grown-Up Action Flick with a Ferocious Kick
First published in 2017, the highly popular Image comic series (and later graphic novel) The Old Guard concerns a small…
Review: Story Gives Way to Spectacle in Maleficent: Mistress of Evil
It’s difficult to believe that five years have passed since Maleficent came into our lives and set the record straight…
Review: Photorealistic The Lion King Remake Loses That Trademark Disney Magic
If you look at the new Disney photo-realistic (but still very much animated) remake of The Lion King from a…
Review: As Chiwetel Ejiofor’s Directorial Debut, The Boy Who Harnessed The Wind is an Inspiration
In a time when science is considered opinion and a token in political games, it’s heartwarming to get a film…
Doctor Strange Film Review: Lush and Mystical
Part of the reason Marvel’s latest comic book adaptation, Doctor Strange, works is because huge swaths of it don’t feel…
