Review: In Guillermo del Toro’s Noir Drama Nightmare Alley, Strong Performances Match a Bold Aesthetic
I’ve had enough conversations with director Guillermo del Toro (Pan’s Labyrinth, The Shape of Water) over the years to know…
I’ve had enough conversations with director Guillermo del Toro (Pan’s Labyrinth, The Shape of Water) over the years to know…
It’s Friday at the Chicago International Film Festival, and one big draw this weekend is the big screenings at the…
The first thing you notice about the new, Robert Zemeckis-directed adaptation of the classic Roald Dahl novel The Witches is…
How are we at Saturday still looking at one more day of Comic-Con@Home? This is far less exhausting than an…
The new year is young, but thank goodness we didn’t have to wait more than a couple of weeks into…
I have a confession: I’ve never really played a Hideo Kojima game. Silent Hill always looked like the type of…
Before you get completely bent out of shape about the fact that this latest horror offering from producer Guillermo del…
You don’t have to like one cinematic version of Hellboy over the other. I wildly adore the two previous films…
Something I noticed almost immediately about the five-years-in-the-making sequel to Guillermo del Toro’s Pacific Rim is how much of the…
Michael Stuhlbarg is the classic definition of a successful working actor, but almost more than that, he’s pure chameleon. You’ve…
There’s a sequence somewhere in the middle of director and co-writer Guillermo del Toro’s latest, The Shape of Water, in…
“Inside every creative person, there’s a Bleak House.” It’s something I said to Gabriel Ritter, the Curator of Contemporary Art…
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