Review: First The Father, Now The Son Grapples with Family Dynamics, Depression and Doing What’s Best for Our Children
From the French-born writer/director who brought us The Father a couple years back, Florian Zeller unveils The Son, based on…
Review: Film Noir Reminiscence Creates a Fascinating World Populated by Inert Performances
Visually compelling and front-loaded with an attractive cast, the science-fiction film Reminiscence has the added bonus of being a deeply…
Review: Laika Continues a Strong Run with Adventurous, Friendly Missing Link
As far as animation houses go, the stop-frame animation loyalists at Laika have a perfect record in my book, with…
Interview: Jason Reitman on Making The Front Runner Like It’s the 1970s, and the Media Now and Then
Although many may not remember the details, Gary Hart’s 1988 presidential campaign was something of a milestone in both politics…
Film Review: Though Solid, The Greatest Showman Isn’t Quite the Greatest Movie Ever Made
I’ll admit: I’ve been conditioned to assume that if a studio doesn’t screen its film in time for certain groups’…
Film Review: Logan, An Epic Western Set in a Hopeless Future
Through something like eight films leading up to Logan, Hugh Jackman has given us a few different versions of Wolverine,…
