Review: In What Feels a Bit Too Much Like Course-Correction, Michael Bay Returns to Fast-Moving Action in Ambulance
It’s easy to understand why a lot of people might view the new Michael Bay-directed Ambulance as something of a…
Review: American Remake The Guilty Is a Tense, Effective Drama with Another Strong Performance from Jake Gyllenhaal
Closely following the one-man plot of its 2018 Danish source material (which went on to become Denmark’s Oscar contender that…
Review: Flatly Animated and Lacking Any Real Fun, Both Parents and Kids Deserve Better Animated Fare Than Spirit Untamed
From the floundering DreamWorks Animation comes Spirit Untamed, a “sequel” to the 2002 film Spirit: Stallion of the Cimarron (which…
Review: Spider-Man: Far From Home is a Fitting, Fantastic Epilogue
Before we dive into this (and as if you don’t already know), it’s rather imperative that you see Avengers: Endgame…
Review: Satire and Terror Make for Quite the Pair in Velvet Buzzsaw
Like many die-hard film fans, I was sad to miss Sundance Film Festival this year. It marks the start of…
Review: As Director, Paul Dano Makes Heartbreak Achingly Captivating in Wildlife
Sometimes, when an actor says he or she is actually interested in directing, there’s a collective eye-roll from those within earshot.…
Film Review: Life, A Solid B-movie With an A-list Cast
A B-movie with a largely A-list cast, the science-fiction monster movie Life probably works best as a place holder until…
Film Review: Nocturnal Animals, Absolutely Stunning
After his impressive directing debut A Single Man in 2009, fashion designer Tom Ford’s long awaited return as writer-director, Nocturnal…
