Perhaps because I just saw Joachim Trier’s The Worst Person in the World for a second (and just as impressive) time, Anaïs in Love, the feature directorial debut from actor […]

Is it possible to make a coming-of-age film about a grown woman? Norwegian filmmaker Joachim Trier (Oslo, August 31; Thelma) achieves just that in The Worst Person in the World, a beautifully […]