Review: A Breezy French Romantic Comedy, Anaïs in Love Finds Honesty, Authenticity
Perhaps because I just saw Joachim Trier’s The Worst Person in the World for a second (and just as impressive)…
Perhaps because I just saw Joachim Trier’s The Worst Person in the World for a second (and just as impressive)…
Is it possible to make a coming-of-age film about a grown woman? Norwegian filmmaker Joachim Trier (Oslo, August 31; Thelma) achieves…
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