Review: A Comedy of Absurd, Dysfunctional Relationships, French Exit Features a Divine Michelle Pfeiffer
Based on Patrick DeWitt’s 2018 novel of the same name, French Exit (which he adapted for the screen) is a film…
Review: Old Friends Navigate Stormy Waters in Steven Soderbergh’s Largely Improvised Let Them All Talk
Director Steven Soderbergh continues to enjoy (and thrive in) his un-retirement with such works as Logan Lucky, Unsane, High Flying…
Review: A Deeply Personal Exploration of Childhood Traumas in Shia LaBeouf’s Honey Boy
The premise is, admittedly, a bit strange: actor Shia LaBeouf wrote a screenplay based on his own experiences as a…
Dispatch: Year’s Most Anticipated Films Round out Toronto Film Festival
After six full days at a film festival where each day includes screening at least four films (and sometimes more),…
Interview: Joel Edgerton and Garrard Conley on Adapting and Casting Boy Erased To Reach the Biggest Audience Possible
Following his critically acclaimed directorial debut The Gift, writer/director/star Joel Edgerton was searching for a story that was far removed…
New York Reviews: The Ferryman and The Waverly Gallery Are Both Family Tragedies
Earlier this week I reviewed a darkly hilarious Kurt Vonnegut satire on stage in New York. The other two plays I…
Review: Jonah Hill Revisits Adolescence, Skate Culture in Nostalgic, Authentic Mid90s
When you’re a kid, becoming a part of something is often the most important thing in your life, especially when…
