
Based on Patrick DeWitt’s 2018 novel of the same name, French Exit (which he adapted for the screen) is a film that, in some ways, has no real right to exist. It’s dry […]
Based on Patrick DeWitt’s 2018 novel of the same name, French Exit (which he adapted for the screen) is a film that, in some ways, has no real right to exist. It’s dry […]
Director Steven Soderbergh continues to enjoy (and thrive in) his un-retirement with such works as Logan Lucky, Unsane, High Flying Bird and the rare misstep The Laundromat, last year’s ensemble piece that […]
The premise is, admittedly, a bit strange: actor Shia LaBeouf wrote a screenplay based on his own experiences as a child actor (and later, in rehab) exploring his dysfunctional relationship with his […]
After six full days at a film festival where each day includes screening at least four films (and sometimes more), all the stories, characters and directing styles can start to run together. […]
Following his critically acclaimed directorial debut The Gift, writer/director/star Joel Edgerton was searching for a story that was far removed from his own experience when he was given a copy of Boy Erased, a […]
Earlier this week I reviewed a darkly hilarious Kurt Vonnegut satire on stage in New York. The other two plays I saw last weekend are powerful dramas about family tragedy. They aren’t comedies, […]
When you’re a kid, becoming a part of something is often the most important thing in your life, especially when the social constructs that most of us take for granted—family, community and […]