Review: What Farce Is This? The Artistic Home Lands a Slam Dunk with Malapert Love
I do not amuse easily and when something is touted as farcical, I expect it to be on point. The…
I do not amuse easily and when something is touted as farcical, I expect it to be on point. The…
Zoe Kazan’s play After the Blast is set a few generations in the future—underground. An environmental disaster has made “upstairs” unlivable and…
I have not heard the air raid sirens in years. In the ’50s through the ’80s an air raid siren…
Orpheus and Eurydice are on the beach—two adorable young lovers. He’s lost in his music and in describing his love…
Tennessee became the 38th state to ratify the 19th amendment on August 18, 1920, the last of the required 36…
Sweet Texas Reckoning is a family story set up as a kitchen culture clash. It’s the story of a biracial, same-sex…
Hilary Williams loves horror. In the dim light of the bar at the Den Theatre (where she is performing in…
Refrigerator is a play about the future. A dystopian future, of course. Playwright Lucas Baisch speculates that some day we will…
Reality Is an Activity is not a typical theatrical production. It’s short on plot and character development. But it’s a symphony…
Fear and Misery in the Third Reich can be described as Bertolt Brecht’s ghost arriving to warn us about the…
Sitting in the audience at the thoroughly impeccable Chicago premiere of Lizzie, it is easy to forget that this production…
Amidst a cloud of haze and the repeated plunking of a piano key, a nondescript man hunches over his desk, writing…
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