Review: Comedian Jo Koy Goes Personal for Easter Sunday, Complete With a Chaotic Family and Mouth-Watering Food
Fully admitting that I have no prior exposure to stand-up comic Jo Koy, I walked into what I believe is…
Review: Nic Cage as Nick Cage in The Unbearable Weight of Massive Talent Is Hero Worship in the Best Way
One of the best things about The French Dispatch, the latest quirky drama from filmmaker Wes Anderson, was the fact…
Review: Oscar Isaac Plays a Complicated, Compelling Game in Paul Schrader’s The Card Counter
William Tell (Oscar Isaac), the central character of writer/director Paul Schrader’s latest work, The Card Counter, may seem more pulled…
Review: Staged Antics, Crude Humor and Inherent Stupidity Truly Make for a Bad Trip, Now on Netflix
I suspect that watching the latest film from Jeff Tremaine, the primary producer of both the Jackass franchise and Bad…
Review: No Amount of Makeup Can Cover the Blemishes in Like A Boss
The last time director Miguel Arteta (Cedar Rapids, Chuck & Buck, The Good Girl, Youth in Revolt) and actor Selma…
Review: The Secret Life of Pets 2 Squanders a Strong Voice Cast on an Uninspired Second Story
I’ll fully admit, I haven’t revisited or even thought about the first Secret Life of Pets film since it was…
Review: A Bigger Cast, A Bit Less Heart in The Lego Movie 2: The Second Part
One of the most enjoyable aspects of 2014’s The Lego Movie was the big mystery behind what it was that…
Review: The Oath Is an Ideological Brawl, Part Dark Comedy, Part Thriller
I feel confident that when actor-turned-writer/director Ike Barinholtz began writing his directorial debut, The Oath, it felt like political satire…
