Review: Court Theatre’s Two Trains Running Cannonballs Home
There are two ways to tell history: the Big Men, Big Events timeline that Henry Ford once called “just one…
There are two ways to tell history: the Big Men, Big Events timeline that Henry Ford once called “just one…
Less a feature film and more of an expanded episode of the television series (not a criticism, just an observation),…
That drumbeat hits and then you hear a voice like no other—“I know you wanna leave me but I refuse…
I recently had a wise person tell me that nostalgia is for those who are afraid to face the present,…
I’ve been playing Sniper Elite games since I stumbled across the first game on Steam during a sale or possibly…
The Chicago Humanities Festival sponsored a bus tour of Chicago’s South Side, the “Black Belt,” for the spring Public-themed series.…
Aaron Sorkin’s To Kill a Mockingbird is not the same story you read in high school or reread last year. It’s not the…
What kind of concert starts with an 11-minute introductory piece that ends up getting two ovations? A Chicago Symphony Orchestra…
If you had told me over a decade ago that a prim and polished television drama from PBS set within…
Nick Cave’s art is gloriously, spectacularly colorful and joyous. Your first view of the gallery array of Soundsuits is thrilling,…
When I first hear about Vampire: The Masquerade —Swansong, and saw its first trailer, I think I may have been…
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