Produced by genre titans James Wan and Jason Blum, and helmed by returning writer-director Gerald Johnstone, M3GAN 2.0 does something bold in the horror field: it shifts tones from the […]
Let me begin by saying I’m not going to begrudge anyone fully embracing the Vroom Vroom of F1: The Movie for the simple fact that the car-racing sequences are one […]
I’m perhaps most leery of documentaries in which the filmmaker is also, to a degree, the subject. Such is the case with Rachel Elizabeth Seed’s deeply personal film A Photographic […]
I’m sure the elevator pitch for this one was something basic like “Bridesmaids meets Spy”—an action comedy starring Rebel Wilson as Sam, a highly effective secret agent who has buried […]
Twenty-three years after director Danny Boyle and writer Alex Garland brought us the lo-fi, virus-fueled horror favorite 28 Days Later, the creative team reunites for a very different type of […]
If you’re willing to trek to Skokie this weekend, it would be worth it to see Prime Minister, one of the best documentaries of the year and a much-needed salvo […]
Firmly in the realm of B-movies, director Michael Pearce’s (Beast, Encounter) Echo Valley is certainly elevated by the work of terrific and compelling actors, who consistently pick up the slack […]
In this mess of a Western from director Richard Gray (Murder at Yellowstone City, Robert the Bruce), we’re told the story of a young man named Henry Broadway (Brandon Lessard), […]
Curtain opens, introduction of film through personal anecdoteI was one of those lucky enough to start following Pavement early in their career due to a college girlfriend with better musical […]
I wholeheartedly reject the label of romantic-comedy for writer/director Celine Song’s (Past Lives) latest, Materialists, for no other reason than the film takes the ideas of relationships and coupling and […]
To call live-action remakes of classic animated films a mixed bag is a wild understatement, but successful ones usually see the filmmakers actually put some thought and attention into what […]
By this point, if you don’t know at least a bit of what to expect—the color schemes, the deadpan dialogue, the kooky costumes and haircuts—when going into a Wes Anderson […]