For more than 40 years, Raven Theatre has been a cornerstone of Chicago’s intimate, actor‑driven drama. Over its long history, the company has built its reputation on revivals of modern […]
Review by Emily Werner. Patrick Marber’s The Red Lion is the closing performance of Eclectic Full Contact Theatre’s 14th season. Premiering at the National Theatre in London in June 2015, […]
Chicago was abuzz on Friday, May 1. There were the traditional labor union marches and protests, with helicopters flying over downtown and bordering neighborhoods. The energy was also high outside […]
I Hate Hamlet, the new production by Saint Sebastian Players, is a play for lovers of Shakespeare…and others. Playwright Paul Rudnick says, in his introduction to the script, that he […]
Review by Emily Werner. Lifeline Theatre concludes its 43rd season with the world premiere of the rock musical Loki—The End of the World Tour. With Loki, director Heather Currie leans […]
moonwatchers, now being staged by Lazy Susan Theatre, might be just what you need if you are feeling depressed and angry about the state of the nation and the world. […]
We got a reminder last weekend about just how essential Porchlight Music Theatre is. Their concert staging of Sondheim’s Follies (at the Studebaker Theater) reaffirmed the company’s willingness to tackle […]
The Alvin Ailey American Dance Theater performed three new works and Ailey’s rousing Revelations at its Saturday matinee performance. Everything about this performance felt fresh, with brilliant colors and powerful […]
Didę by Compagnie Multicorps, a celebration of body and spirit in tribute to Ìyá Nlá, the Yoruba deity of creation, deities, and all of life, was performed last weekend. Ìyá […]
The Movement You Need: An Evening With Brendan Hunt, directed by Ashley Rodbro, is a humorous and deeply touching dive into the life of Emmy and SAG Award winner and […]
What’s true? Of course, there’s no manageable answer to that. But it’s hard to avoid asking that question throughout Teatro Vista’s world premiere of Paloma Nozicka’s Both, co-produced by Steppenwolf […]
Burt Bacharach’s music is famously hard to play and all‑too‑easy to cheapen. The show’s excellent Chicago‑based band proves the former with dazzling precision, while the production ladles on the latter […]