Paul Stroili’s A Jukebox for the Algonquin, currently onstage at Citadel Theatre, does not take place anywhere near the famous literary watering hole. Instead, everything happens in a recreation room […]
“For not only one enemy has risen up against us to destroy us, but in every generation they rise up to destroy us….” That stark bit of liturgy—the V’hi She’amdah—is […]
Parsons Dance rolled into town last weekend after being away for 30 years. The company was founded in 1985 by artistic director and choreographer David Parsons. The advertising promised an […]
This is a review of a new play by David Mamet…. Although any mention of David Mamet today can turn into something else entirely. For instance, how many playwrights attract […]
Yolland (Erik Hellman) and Maire (Tyler Meredith) have left the dance and come running into the clearing. As they try to catch their breath, they realize they are still holding […]
Suzan-Lori Parks is known for writing plays about the inner lives of Black Americans. The Book of Grace is a companion to the Pulitzer Prize-winning Topdog/Underdog, where brothers Lincoln and Booth live out […]
Giordano Dance Chicago is our homegrown ensemble, and their Friday performance was unlike any other Giordano show I have covered. Soaring: Life, Light, and Legacy is a tribute to artistic director Nan […]
Not since gin and vermouth first met ice has any cocktail sparkled so purely, so perfectly, so powerfully as Porchlight Theatre’s crazy collision with a fateful iceberg, Titanique, now running […]
Last December, Seven Thirty Theatre and Katydid Productions presented a production of Dreamgirls—the great American musical about the Motown experience—at the Studebaker Theater. The show was well received and so […]
Any child who grew up in a household where Zoom was considered too scandalous probably spent their limited TV time watching shows in which a cast of precocious kids—accompanied by […]
The Lyric Opera of Chicago is refreshing classical music by bringing in newer works. The Listeners is written by Missy Mazzoli with a libretto by Royce Vavrek based on the […]
They were the most English of British Invasion bands. While other English musicians adopted American styles and turned their backs on their own musical traditions, the Kinks doubled down, writing […]