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  • Circus , Opera , Stages

Review: Lyric’s Carmen Features Strong Performances, But the Plot Can Be Troubling

Georges Bizet produced some of opera’s most memorable music for Carmen, his 1875 composition, set in Spain and sung in French, about a wildly free-spirited woman whose fickle and domineering […]

  • Bob Benenson
  • March 14, 2023
    • Opera , Stages , Theater

    Review: Lyric Opera’s Hip-Hopera The Factotum Is a Cut Above

    Barbershops and beauty salons are important cultural hubs for communities of color. “In my day, a barber was more than just somebody who sit around in a FUBU shirt with […]

  • Karin McKie
  • February 9, 2023
    • Opera , Stages , Theater

    Review: Humperdinck’s Hansel and Gretel Is a Feast for the Senses at Lyric Opera

    What do you get when you mix Englebert Humperdinck, a visual homage to German expressionism, Weimar decadence, and gorgeous singing? The answer is Hansel and Gretel at the Lyric Opera. […]

  • Kathy D. Hey
  • January 27, 2023
    • Opera , Stages

    Review: King Roger Makes a Spellbinding Premiere at Harris Theater

    I was put under a spell on Friday. King Roger by the Chicago Opera Theater (COT) was the spellbinding work that eased my anxiety from sitting in a traffic snarl […]

  • Kathy D. Hey
  • November 20, 2022
    • Opera , Stages

    Review: Le Comte Ory Is a Beautifully Staged and Magnificently Sung Romp by Lyric Opera

    Rossini’s Le Comte Ory is my second French-language opera within a week. Verdi’s Don Carlos is also at the Lyric. Le Comte Ory is considerably more lighthearted and is in […]

  • Kathy D. Hey
  • November 17, 2022
    • Opera , Stages

    Review: Verdi’s Don Carlos Goes the Distance at Lyric Opera

    The Lyric Opera in Chicago is at the forefront of opera productions on the world stage. It’s right up there with La Scala in Milan or the Met in New […]

  • Kathy D. Hey
  • November 11, 2022
    • Opera , Stages

    Review: Wonder of Wonders—Fiddler on the Roof at the Lyric Opera

    Last year, the Lyric Opera presented a dazzling production of The Magic Flute originally conceived for Berlin’s Komische Oper by Australian director Barrie Kosky. Now, the Lyric is at it […]

  • Doug Mose
  • September 20, 2022
    • Opera , Review , Stages

    Review: Lyric Opera Opens a New Season with Lush, Classic Verdi and Strong Quartet of Voices in Ernani

    For the uninitiated (and perhaps even for those clued in) thinking of going to the opera, the Lyric’s Ernani is likely what they have in mind. This lush 2022-2023 season […]

  • Lisa Trifone
  • September 13, 2022
    • Opera , Stages

    Review: Chicago Opera Theater’s Quamino’s Map Pulls the Curtain Back on Black Life in the Georgian Era

    Quamino’s Map is the 22nd opera by the Belizean-born composer Errollyn Wallen who trained at the University of London and Cambridge. The libretto is by playwright Deborah Brevoort and the […]

  • Kathy D. Hey
  • May 1, 2022
    • Opera , Stages , Talk show

    Dialogs: “Talking Race at the Opera” by the Chicago Humanities Festival

    I gave high praise to Terence Blanchard’s opera Fire Shut Up in My Bones. The opening night performance at the Lyric was filled with excitement and local luminaries. The following […]

  • Kathy D. Hey
  • March 29, 2022
    • Opera , Stages

    Review: The Peculiar Grace of Terence Blanchard’s Fire Shut Up in My Bones at Lyric Opera

    My first opera was at age 10 when our parish priest took us to see La Boheme at the Lyric Opera House. I always thought that opera was sung in […]

  • Kathy D. Hey
  • March 25, 2022
    • Classical , Opera , Stages

    Review: Love Hurts So Good in Lyric’s Tosca

    The voices! Soprano Michelle Bradley, making her Lyric Opera of Chicago debut in the title role of Giacomo Puccini’s Tosca, and tenor Russell Thomas as her doomed lover Cavaradossi filled […]

  • Bob Benenson
  • March 14, 2022
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