Debuting on Netflix today (but also getting a limited run at the Landmark Century Centre Cinema) is Kodachrome, the latest from director Mark Raso (Copenhagen) about a record company A&R man (Jason Sudeikis) on […]
In their beautifully realized 2015 horror work, Spring, the filmmaking team of Aaron Moorhead and Justin Benson somehow merged a magnificent love story along the lines of Before Sunrise with a disturbing […]
Super Troopers 2 is an exceedingly silly movie, which should come as no surprise since the first film is also very silly. But what separates the two films—besides more than 15 years—is […]
Much has already been written about the latest from comedic actress Amy Schumer, I Feel Pretty. It’s been accused of fat shaming some of its characters and basically just portraying women as […]
Sometimes, a movie doesn’t have to be great to be watchable; sometimes, just having a highly likable cast of actors that I genuinely adore is enough to get me through a film […]
Brad Silberling is a man with many job titles. He’s been a television producer and director for quite a number of years, while occasionally dipping his toe into the world of writing […]
Having just appeared in the darkest of dark comedies, Thoroughbreds, as well as such works as The Witch and Split, actor Anya Taylor-Joy is one of the more reliable new faces in films […]
After a succession of high-energy, dialogue-heavy comedies such as L’Auberge Espagnole, Russian Dolls, Chinese Puzzle, and When the Cat’s Away, writer/director Cédric Klapisch returns with something a bit more easy going and […]
The latest from writer/director Lynne Ramsay (Ratcatcher, We Need To Talk About Kevin), You Were Never Really Here is about a lot of things for such a seemingly single-minded, unspeakably brutal account of […]
I walked into the latest from director Andrew Haigh (Weekend, 45 Years) knowing absolutely nothing about it beyond the title, Lean On Pete. As someone who sees anywhere between 450-475 films per […]
You should fully expect to see “from the producers who brought you Get Out” in front of a lot of not-nearly-as-good horror films over the next year or two, beginning with Blumhouse’s […]
It’s been since 2011’s Transformers: Dark of the Moon that Chicago has taken a epic-sized, big-budgeted walloping the way it does in the video game-inspired Rampage. But something curious happened while sitting […]