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  • Stages , Theater

Review: St. Nicholas Chillingly Blends Conor McPherson’s Storytelling and Brendan Coyle’s Acting

Conor McPherson is a storyteller. That was his first love and he’s a master of the form, in the Irish storytelling tradition. Many of his early plays were monologue plays […]

  • Nancy S Bishop
  • January 15, 2019
    • Beyond , Dance , Event , Stages

    Review: Raks Inferno is a Lot of Fiery Passion in an Intimate Space

    If you’ve been around the performing arts scene in Chicago enough, you might have heard tales of a bellydancing Wookiee. We certainly had, and found ourselves mesmerized by the fun […]

  • Marielle Bokor
  • January 11, 2019
    • Review , Stages , Theater

    At the Den Theatre, Charlie Johnson Reads All of Proust Will Make You Want to Do the Same

    Madelines. Military service. Marriages and family. Swann’s Way to Time Regained. An older man decides he will read Marcel Proust’s iconic novel. As he reads all six volumes over the course of a […]

  • Nancy S Bishop
  • January 8, 2019
    • Feature , Stages , Theater

    Dispatch: Theater Directors Dissect Brechtian Experiences at Brecht in Chicago MLA Session

    “How did you discover Brecht?” That was the first question asked of the four theater directors by the moderator at this engrossing session on “Brecht in Chicago/Brecht and Chicago.” It […]

  • Nancy S Bishop
  • January 6, 2019
    • Preview , Stages , Theater

    Neo-Futurists’ Burning Bluebeard Marks 115th Anniversary of Iroquois Theatre Fire

    The Neo-Futurists are staging their sad and fantastical romp based on the true story of Chicago’s 1903 Iroquois Theatre fire, in which 600 audience members were killed. This short run […]

  • Nancy S Bishop
  • December 29, 2018
    • Stages , Theater

    2018 in Review: What We Liked on Stage

    This isn’t a “best theater of 2018” list. We didn’t see everything. Most of our writers are freelancers, all with other gigs, and it’s hard for us to cover the […]

  • Third Coast Review Staff
  • December 27, 2018
    • Stages , Theater

    Review: Pink Crosses Mark the Graves of the Desconocidas in Isaac Gomez’ Powerful La Ruta

    Pink crosses spread across the front of the stage. Many of them are marked “Desconocida” (unknown). Unmarked graves of young women who wanted to better their lives by working in […]

  • Nancy S Bishop
  • December 23, 2018
    • Stages , Theater

    Review: Despite Hiccups, Touring Fiddler on the Roof Remains Poignant, Relevant

      Fiddler on the Roof premiered on Broadway in 1964, and it was a smash hit. It ran for more than 3,000 performances (a record at the time) and won […]

  • Lisa Trifone
  • December 22, 2018
    • Stages , Theater

    The Old Woman Broods at Trap Door Theatre Is an Absurdist, Prescient Satire—or Is It?

    In case you think brooding suggests gloom and doom, think otherwise. Trap Door Theatre’s The Old Woman Broods is chaotic, cacophonous and more than a little cuckoo. The 1969 play by Polish […]

  • Nancy S Bishop
  • December 16, 2018
    • Stages , Theater

    Review: Be Transported by Chicago Shakes’ Magical, Whimsical A Midsummer Night’s Dream

    Midsummer Night's Dream

    It is perhaps a sign of programming genius that the team at Chicago Shakespeare Theater slotted the whimsical comedy delight A Midsummer Night’s Dream in the middle of a long, cold, […]

  • Lisa Trifone
  • December 15, 2018
    • Comedy , Stages

    Review: The Kids Aren’t Alright (But Will Be) in Second City’s Algorithm Nation, or the Static Quo

    Algorithm Nation, or the Static Quo, directed by Matt Hovde, is the Second City’s 107th Mainstage Revue. Let that number sink in for a while. 107 shows would be impressive no […]

  • Matthew Nerber
  • December 14, 2018
    • Stages , Theater

    Review: The Steadfast Tin Soldier Is Surefooted Holiday Escapism for These Unsteady Times

    Mary Zimmerman’s The Steadfast Tin Soldier is the theatrical equivalent of a gift under the tree on Christmas morning; it’s warm, heartfelt, and wrapped nicely in a bright holiday bow. The […]

  • Matthew Nerber
  • December 10, 2018
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