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  • Review , Stages , Theater

Steppenwolf’s The Burn Remixes Mean Girls With Young Witches of Salem

Theater review. Philip Dawkins’ new play, The Burn, blends today’s online world with Arthur Miller’s The Crucible. The real life “mean girls” in The Burn are distant cousins of the […]

  • Nancy S Bishop
  • February 21, 2018
    • Stages , Theater

    Breach at Victory Gardens: Love and Relationships, Sitcom Style

    Breach: a manifesto on race in america through the eyes of a black girl recovering from self-hate is a world premiere at Victory Gardens Theater. The play’s long title might […]

  • Nancy S Bishop
  • February 18, 2018
    • Stages , Theater

    Haven Theatre’s Fear and Misery in the Third Reich: Brecht’s Ghost Warns Us About Fascist Dictatorship

    Fear and Misery in the Third Reich can be described as Bertolt Brecht’s ghost arriving to warn us about the United States of Donald Trump turning into a fascist dictatorship. […]

  • Nancy S Bishop
  • February 14, 2018
    • Stages , Theater

    Steppenwolf’sYou Got Older Succeeds as a Quietly Realized Family Story

    After seeing Steppenwolf’s Chicago premiere of Clare Barron’s poignant play, You Got Older, I felt the need to text my sister. Much like Barron’s protagonist, Mae (Caroline Neff), my sister, […]

  • Brent Eickhoff
  • February 11, 2018
    • Stages , Theater

    Ragtime at Marriott Theatre a Powerhouse, Wake-Up Call

    It’s not for nothing that director Nick Bowling selected Ragtime for the 2018 season at the Marriott Theatre in Lincolnshire. When he read the book for the 1996 play, which was based on […]

  • Marielle Bokor
  • February 9, 2018
    • Stages , Theater Festival

    Rhinofest Continues for the 29th Year: We Review and Comment

    Chicago’s longest-running fringe festival, the annual Rhinoceros Theater Festival, now in its 29th year, is presenting shows six nights a week through February 25. Rhinofest is produced by Prop Thtr […]

  • Nancy S Bishop
  • February 9, 2018
    • Stages , Theater

    Bobbing and Weaving in Red Tape’s Catastrophic I Saw Myself

    Red Tape Theatre inaugurates its new “The Ready” space with Howard Barker’s scenery-chewing angst-fest I Saw Myself. The 13th century widow Sleev (Carolyn Hoerdemann), vulnerable in a black slip, is weaving […]

  • Karin McKie
  • February 8, 2018
    • Comedy , Stages

    Humboldt Pie is a Slice of Comedic Comfort Food at Slate Arts

    Humboldt Park might not be the first place you’d think of when you’re talking about seeing comedy in Chicago, but recently, the ever-changing nature of Humboldt Park has become home […]

  • Marielle Bokor
  • February 7, 2018
    • Dance , Stages

    Doug Varone and Dancers Return to Chicago

    Thirty years into choreographing for his company Doug Varone and Dancers, Doug Varone believes he has become somewhat of a pointillist. He said looking back, his early choreography resembled the […]

  • Miriam Finder Annenberg
  • February 7, 2018
    • Stages , Theater

    Nice Girl at Raven Theatre: Sweet, Heartfelt Story of Four People Whose Lives Aren’t What They Hoped

    Josephine is the nice girl. She’s so nice that she remains living at home with her mother, working in a dead-end job, when she really wants to do what she […]

  • Nancy S Bishop
  • February 6, 2018
    • Stages , Theater

    Strawdog Theatre’s Pillars of the Community Questions the Self-Interest of Leaders

    Pillars of the Community, adapted by Samuel Adamson from Henrik Ibsen’s 1877 work, The Pillars of Society, is one of Ibsen’s lesser performed works. According to scholars, Ibsen struggled to […]

  • Brent Eickhoff
  • February 6, 2018
    • Stages , Theater

    Goodman’s Blind Date Stars the World on the Cusp of Change

    The blind date actually took place on November 19, 1985, in Geneva. Nothing much happened diplomatically; the world order wasn’t changed. But the two leaders of the U.S. and the […]

  • Nancy S Bishop
  • February 4, 2018
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