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  • Circus , Stages , Theater

Review: The Ghost in Gadsden’s Garden Cracks the Case with Circus and Storytelling by the Actors Gymnasium

The Ghost in Gadsden’s Garden is a charming tale (part coming-of-age story, part Scooby Doo mystery) of the new kid looking to fit in after having just moved to town […]

  • Kim Campbell
  • March 1, 2020
    • Review , Stages , Theater

    Review: National Book Award-Winner Middle Passage Adrift On Stage

    Lifeline Theatre presents Dr. Charles Johnson’s 1990 National Book Award winner Middle Passage, directed by Ilesa Duncan, who co-adapted with David Barr III. The result struggles from the page to […]

  • Karin McKie
  • March 1, 2020
    • Stages , Theater

    Review: Tuta Theatre’s Hedda Gabler Explodes the Classic Drama with Live Music and Stylized Staging

    Hedda and Nora. The strong female characters in Henrik Ibsen’s two well-known plays—A Doll’s House (currently on stage at Raven Theatre) and Hedda Gabler—established him as a modern playwright of […]

  • Nancy S Bishop
  • February 29, 2020
    • Stages , Theater

    Review: Dex & Abby–Two Dogs, Two Dads and Their Love Stories

    Yes, this is a play about dogs—dogs portrayed by human actors. And they’re not wearing cutesy animal outfits. They are in fact talented actors who have learned the ways of […]

  • Nancy S Bishop
  • February 26, 2020
    • Stages , Theater

    Review: Timeline’s Kill Move Paradise Strands Four Souls in a Skate Park Purgatory

    Four men, by turn, tumble onto the scene, thrust, thrown, exploded onto the slick black-and-white skateboard ramp of a set.  All is black and white—costumes and set—until the fourth arrives. […]

  • Nancy S Bishop
  • February 22, 2020
    • Stages , Theater

    Review: Haven Theatre Stages a Horror Movie Called Titus Andronicus

    At first I was puzzled by the audience reaction to Haven Theatre’s opening night performance of Titus Andronicus, Shakespeare’s goriest play (and possibly his worst). Over and over, there was […]

  • Nancy S Bishop
  • February 20, 2020
    • Stages , Theater

    Review: Raven Theatre’s A Doll’s House Ends With That Satisfying Slammed Door

    It’s the most famous slammed door in theater history. And it’s the most satisfying slammed door for a feminist. It’s 1879 and that exit signifies Nora Helmer’s departure from husband, […]

  • Nancy S Bishop
  • February 18, 2020
    • Stages , Theater

    Review: Lipstick Lobotomy at Trap Door Theatre Plays With Women’s Minds

    Trap Door Theatre’s latest production is the enchantingly titled Lipstick Lobotomy by playwright Krista Knight, directed by Kate Hendrickson. It’s a half-true, half-imagined story of friendship between John F. Kennedy’s […]

  • Nancy S Bishop
  • February 15, 2020
    • Comedy , Review , Stages , Theater

    Review: The Hilary Duff Project Nails the Nostalgic Sendup with Talent to Spare

    Nostalgia is a hot commodity lately, likely due to the rather dismal present and threat of an even more dire future. Taking a look back at simpler times can be […]

  • Marielle Bokor
  • February 13, 2020
    • Poetry , Stages , Theater

    Review: Windy City Playhouse’s The Boys in the Band Has Aged Well and Warmly

    The Boys in the Band was revolutionary when it was first performed off Broadway in April 1968, in its portrayal of the lives and loves of gay men. The producers […]

  • Nancy S Bishop
  • February 12, 2020
    • Stages , Theater

    Review: Absurd or Gross? Silliness Rules in Do You Feel Anger? at A Red Orchid Theatre

    In the last few months, I’ve seen a lot of plays about racism, sexual identity, immigration, crime, anger and angst. So it was a nice change of pace to see […]

  • Nancy S Bishop
  • February 11, 2020
    • Stages , Theater

    Review: At 16th Street Theater, Alabaster Lights a Road to Recovery for Two Women Scarred by Life

    Alabaster is a city in northern Alabama (a suburb of Birmingham actually). It’s also a soft stone, a form of gypsum, that’s translucent, easily carved and often used for decorative […]

  • Nancy S Bishop
  • February 9, 2020
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