Review: A Fast Pace and Star Turn Make Hilarious The Doppelgänger A Hit
Chicago loves its celebrities. Lacking the chill of our coastal peers in Los Angeles and New York, we get unabashedly stoked when fame graces us with its presence. And why […]
Review: Lettie at Victory Gardens Theater Is Heartfelt, If Inconsistent
The promo image for Lettie, the new original work by Boo Killebrew now on at Victory Gardens Theater, features Caroline Neff in the title role, wielding a welder’s iron and clad […]
Oprah and Oppression in MCA’s Poor People’s TV Room
Oprah is a leitmotif in the multimedia movement narrative Poor People’s TV Room, at Chicago’s Museum of Contemporary Art from April 12-15. United States Artist Fellow Okwui Okpokwasili and director-designer Peter […]
Steep Theatre’s Birdland Is a Fast-Moving Story of Rock Stardom and its Consequences
Paul (Joel Reitsma) is a rock star, with rock star habits and ego. He’s now in Moscow, nearing the end of a long tour and faced with going home to […]
Two Great Playwrights on the Cusp of Their Careers: Philip Dawkins’ The Gentleman Caller at Raven Theatre
Tennessee Williams has been a local favorite for decades, ever since December 27, 1944, when Claudia Cassidy, the fearsome Chicago Tribune theater critic, said Williams turned the theater “into a […]
Review: Ingredients Don’t Add Up to Much for Refuge Theatre Project’s The Spitfire Grill
Founded in 2014, the relatively new Refuge Theatre Project aspires to bring musical theater to creative spaces, accessible to broad audiences. It’s a commendable mission, and one the crowded Chicago […]
Playwright for the Trump Era? It’s Politics and Money in Brecht’s Round Heads & Pointed Heads at Red Tape
Round Heads and Pointed Heads is a cavalcade of political events and characters, woven loosely (very loosely) into a Brechtian story of politics and money. Red Tape Theatre’s new production […]
Disturbing Theater, 20 Years Later: How I Learned to Drive Is About Drinking, Driving and Sexual Abuse
How I Learned to Drive isn’t a play for the squeamish. It’s a disturbing and ultimately sad story about pedophilia, sexual abuse, drinking and driving. It illustrates how the predator […]
Northlight’s Beauty Queen of Leenane A Quietly Devastating Dark Comedy
Northlight Theatre’s production of The Beauty Queen of Leenane, Martin McDonagh’s quietly devastating dark comedy, takes place in the provincial town of Leenane. Directed by B.J. Jones, the Tony Award-winning […]
Tension Builds as Ambiguity Becomes Retribution in hang at Remy Bumppo Theatre
We sit through 60 minutes of ambiguity and tension—about what? When hang finally reveals (almost reveals) its essential point in the final 25 minutes, we are caught up in the […]
An Enemy of the People Is a Well-Dressed Meditation on Politics and Human Nature
When I described the synopsis of Ibsen’s An Enemy of the People to my date, he groaned. Politics, environmental crisis, public figures and large companies taking advantage of the little guy… […]
Memes Become Scenes in Theater Wit’s Delicious Women Laughing Alone with Salad
Playwright Sheila Callaghan (writer/producer of Showtime’s Shameless) morphs memes into scenes in the delicious Chicago premiere of Women Laughing Alone with Salad. Guy (Japhet Balaban) is EveryGuy, a dope-smoking dilettante […]