The American theater business and society in general offer plenty of opportunity for criticism of “wokeness” and efforts to satisfy all sides—both in the arts, in other nonprofits and in […]

There is dancing in Dance Nation, now at Steppenwolf Theatre. It’s sometimes clumsy, sometimes graceful, and generally amateurish. Clare Barron’s play is about a crew of 13-year-old girls (and a […]