Review: Maggie Andersen Writes a Highly Readable Memoir in No Stars in Jefferson Park
When I open a book to review it, I view it as an assignment. Read it as thoroughly as practical, and perhaps skim over some sections. But by the time […]
When I open a book to review it, I view it as an assignment. Read it as thoroughly as practical, and perhaps skim over some sections. But by the time […]
Thirty years ago, Jim Cartwright’s play The Rise and Fall of Little Voice made a big noise first on London’s West End and then on Broadway and at Steppenwolf Theatre. […]
Two lean years of pandemic economics, entwined with continuing, insistent calls for real racial justice and gender equity and an end to sexual abuse. The ‘20s have started as a […]
Winter seems to be the season for stage fests in Chicago (Rhinofest, Musical Theater Festival, Pegasus’ Young Playwrights Festival, Fillet of Solo) and Gift Theatre, one of our fine storefront […]
This isn’t a “best theater of the year” list. As we’ve noted about past lists, we don’t see everything. Most of our writers are freelancers, all with other gigs, and […]
Kentucky is a richly drawn study of a family of characters who disagree and battle and are not quite sure they love each other. Mostly it‘s a story of what […]
It sounds like a sad story. A couple adopts a child from another country, then decides “it’s not a good fit” and decides to un-adopt him. But if I tell […]
Sometimes you see a familiar play, one that you’ve seen many times, and it gains new power because of the casting and staging or the mood created by the director. […]