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  • Review , Stages , Storefront , Theater

Review: At the Artistic Home, Hedda Gabler Tells the Story of a Flamboyant 19th Century Proto-Feminist

Was the heroine of Hedda Gabler an early feminist or just a spoiled brat? In the new production of Henrik Ibsen’s 1890 play, Brookelyn Hebert plays her as a bit of both. […]

  • Nancy S Bishop
  • February 23, 2025
    • Review , Stages , Storefront , Theater

    Review: Gwydion Theatre Revisits Ibsen’s Ghosts With an Uneven Production

    One of the great things about plays from past centuries is that they can be restaged or updated in different eras, with different genders and colorblind casting. Shakespeare’s work lends […]

  • Kathy D. Hey
  • February 17, 2025
    • Stages , Theater

    Review: Saint Sebastian Players’ An Enemy of the People Depicts a Prophet Submerged in Politics

    A new staging of Henrik Ibsen’s classic play An Enemy of the People has come to Chicago, directed by Jim Masini. It dramatizes a public health crisis in a small town and […]

  • Anthony Neri
  • February 19, 2024
    • Stages , Theater

    Review: Tuta Theatre’s Hedda Gabler Explodes the Classic Drama with Live Music and Stylized Staging

    Hedda and Nora. The strong female characters in Henrik Ibsen’s two well-known plays—A Doll’s House (currently on stage at Raven Theatre) and Hedda Gabler—established him as a modern playwright of […]

  • Nancy S Bishop
  • February 29, 2020
    • Stages , Theater

    Review: Raven Theatre’s A Doll’s House Ends With That Satisfying Slammed Door

    It’s the most famous slammed door in theater history. And it’s the most satisfying slammed door for a feminist. It’s 1879 and that exit signifies Nora Helmer’s departure from husband, […]

  • Nancy S Bishop
  • February 18, 2020
    • Stages , Theater

    Review: At Steppenwolf, A Doll’s House, Part 2, “Law & Order” Version

    To fully understand this witty and nuanced play, one must know that it is a sequel to Henrik Ibsen’s original A Doll’s House, which was written and set at the […]

  • Kim Campbell
  • February 14, 2019
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