Review: At MUBI Fest, The Mastermind Adds Harmony to the Heist
The Mastermind is an indie flick, a heist movie, a period piece, and a meditation on American life, but what I failed to realize the first time I watched it […]
The Mastermind is an indie flick, a heist movie, a period piece, and a meditation on American life, but what I failed to realize the first time I watched it […]
“This film will really put the hustle in you.” Director Kelly Reichardt said this of her breakout film Old Joy (2006) while introducing its screening at the Gene Siskel Film […]
Filmmaker Kelly Reichardt’s visual style can be described in many ways—quiet, subtle, humanistic, etc.—but I think the best way to sum up her approach to storytelling is observational. Reichardt channels […]
Hitting the mid-week mark, the Chicago International Film Festival boasts special guests and anticipated films on Tuesday and Wednesday, October 21 and 22; here are the highlights our film critics […]
Eva Victor (they/them) has made a career—and a helluva feature film debut with Sorry, Baby—by never doing what’s expected. After working for the feminist satire website Reductress and MTV’s Decoded […]
If the films of Kelly Reichardt have a binding theme, it’s that her works are populated by characters in search of their place in the world, both in a geographical […]
In their fourth collaboration, writer/director Kelly Reichardt and actor Michelle Williams have made their most ambitious work to date. Showing Up is the story of a struggling artist named Lizzy […]
Some are better than others, but I don’t think director Kelly Reichardt has made a bad movie. From her debut with the recently restored and reissued River of Grass, Old […]