By Third Coast Review Staff iO Theater’s second annual iO Fest closed Sunday after 100-plus comedy acts performed over the four-day event. The fest featured homegrown Chicago talent and nationally […]
When audiences walk into The Yard at Chicago Shakespeare Theater, they are immediately transported to a tennis match. Scenic designer Wilson Chin completely transforms the space— with audience stands on […]
By Third Coast Review Staff Chicago’s rich comedy and improv tradition takes center stage this weekend as iO Fest 2025 returns July 24-27 to the iO Theater with 120 comedic performances from […]
For the first half hour of Dennis Kelly’s Girls & Boys, making its Midwest debut at the Bramble Arts Loft, one could be forgiven for calling it a Fleabag rip-off. […]
Two chairs, a piano and a big bird. That simple scenic design—combined with a creatively structured script and superb performances by four actors playing 20 roles—creates magic on a small […]
Donny Hathaway is a name tattooed in my mind since childhood. His singing style was otherworldly, blending traditional gospel with R&B and funk. He could bend a note like no […]
As fans of Stephen Sondheim may know, Passion is not as widely prod’suced as some of his other musicals. There are many reasons for this. The music can be quite […]
Beauty and the Beast, a beloved Disney classic, is seamlessly brought to the stage for a truly magical night of theater presented by Broadway in Chicago. This show will consistently […]
Theatre L’Acadie is known for edgy satire while bringing deeply human themes to the absurd situations of life. The first production I saw from L’Acadie was called The Swan, which […]
The energy in the Goodman Theatre’s larger Albert Theatre was palpable even before Monday’s premiere of The Color Purple began, and it built upon itself as the evening progressed towards […]
Of William Shakespeare’s comedies, Love’s Labour’s Love doesn’t get a whole lot of—ahem, love. Written in the mid-1590s when the young Bard was learning his powers, the oft-ignored play centers […]
When Danila Bim entered the circus tent with a small metal hoop attached to her head, I had a feeling I knew what was coming. Enough performers had taken flight […]